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My Old Addiction

Movie Reviews By Bil Antoniou

Tag: Vanessa Redgrave

February 25, 2019March 22, 2019

Mary Queen of Scots (1971)

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February 20, 2018December 24, 2018

Film Stars Don’t Die In Liverpool (2017)

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December 11, 2014March 7, 2019

Foxcatcher

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February 5, 2014January 11, 2019

Atonement (2007)

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January 21, 2014June 25, 2019

Mother’s Boys

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January 7, 2014April 15, 2019

Anonymous

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Cradle Will Rock

December 24, 2013February 21, 2019

Cradle Will Rock

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December 17, 2013January 10, 2019

Isadora

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Morgan! A Suitable Case For Treatment

December 17, 2013March 20, 2019

Morgan! A Suitable Case For Treatment

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Late Night (2019)
Arabian Nights (Flower Of The Arabian Nights) (Il Fiore Delle Mille E Una Notte)
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BEST ACTRESS 1967: Thirty-five years after her first Oscar, KATHARINE HEPBURN collected her second for what was one of the lamest cop-outs in the Academy's history. All five nominees could easily have won, though for me the most deserving was Anne Bancroft in The Graduate, one of the most fascinating women ever portrayed on screen by an actor who always made sure that her characters were more than the stereotypes they represented. Perhaps the Academy didn't want to reward a flagrant adulteress, or perhaps they felt she had already won too recently, but there was also Edith Evans, up for her third Oscar in The Whisperers as an elderly woman whose grip on reality gets looser with each disappointing day that her imagined inheritance doesn't arrive in the mail, though that film was probably too obscure for the Oscar voters who even bothered to see it. Faye Dunaway established her career as the most beautiful and most worried woman in show business as half of the titular couple in Bonnie And Clyde, she's the only one in that movie who seems to be aware that the end won't be pretty, but she was probably too fresh on the scene, and Audrey Hepburn delivered a new level of intensity with her performance in the box-office hit Wait Until Dark (which would turn out to be her last nomination), but the Academy wasn't going to give an acting Oscar to something as ignoble as a thriller. This left the other Hepburn, whose film GUESS WHO'S COMING TO DINNER hit all the right feels with its liberal pandering: what would YOU do if your airhead daughter who sorta seems like she needs a husband to get anywhere in life came home with a Nobel prize-winning black man? SUCH a conundrum.

Today's review on MyOldAddiction.com, Late Night by #NishaGanatra starring #EmmaThompson and #MindyKaling, "unconventional and frequently unpredictable but never erratic or messy"

"In Hollywood, actors learn to act from watching television. In New York people learn to act by walking down the street." - Sidney Lumet, born June 25, 1924. #SidneyLumet

"You know, the hard thing about audiences not liking what a character does is that they sometimes take it out on the actor personally. That's something that you know when you become an actor or actress, but it's always hard to deal with when it actually happens." - Linda Cardellini, born June 25, 1975. #LindaCardellini

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"The hard thing about audiences not liking what a character does is that they sometimes take it out on the actor pe… twitter.com/i/web/status/1… 10 hours ago
Adrienne Shelly, June 24, 1966-November 1, 2006. #AdrienneShelly https://t.co/jkZdVsNqN0 1 day ago
"I am a Communist, certainly, but that doesn't mean I have to make films about the wheat harvest." - Claude Chabrol… twitter.com/i/web/status/1… 1 day ago
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