Skip to content

My Old Addiction

Movie Reviews By Bil Antoniou

Tag: BGM Episodes

October 10, 2019October 10, 2019

Red Dirt (2000)

Continue reading →

September 12, 2019September 13, 2019

4th Man Out (Fourth Man Out) (2015)

Continue reading →

August 18, 2019August 18, 2019

Stonewall (2015)

Continue reading →

August 9, 2019August 9, 2019

Tumbledown (2013)

Continue reading →

July 18, 2019July 18, 2019

Something For Everyone (1970)

Continue reading →

July 9, 2019July 10, 2019

Dog Tags (2008)

Continue reading →

May 23, 2019July 8, 2019

Cherry Pop (2017)

Continue reading →

May 5, 2019May 7, 2019

Something Like Summer (2017)

Continue reading →

March 12, 2019July 8, 2019

Saturday Night At The Baths (1975)

Continue reading →

Posts navigation

← Older posts

Menu

About
YouTube Channel
Now Playing
Indexes
Podcast
- BGM: Bad Gay Movies / Bitchy Gay Men
  - BGM Episodes
- My Criterions
Other Writings
Letterboxd Profile

Search MyOldAddiction.com

Search for:

Top Posts and Pages

The Blonde One (Un Rubio) (2019)
The Masseur (Masahista) (2005)
The Joker Is Wild (1957)
Song of the South (1946)
Beach Rats (2017)
Requiem For A Dream (2000)
Boogie Nights (1997)
Parasite (Gisaengchung) (2019)
Let's Get Lost (1988)

Follow My Old Addiction On Instagram

Today's review on MyOldAddiction.com, Song of the South by #HarveFoster and #WilfredJackson starring #JamesBaskett, "falters as entertainment even if you choose to take on the burden of its problematic racial politics"

BEST MUSIC 1990: Broadway legend STEPHEN SONDHEIM had already won prizes as impressive as the Pulitzer by the time Warren Beatty asked him to write the songs for his production of DICK TRACY and put him in the way of an Oscar. The three tunes that Sondheim composed for Madonna’s Breathless Mahoney are all delights, but the Academy only saw fit to nominate one (and the best one at that), “SOONER OR LATER (I ALWAYS GET MY MAN)” which the Queen of Pop performed on the Oscar telecast, visibly shaking from nerves thanks to a performance error. After weeks of rehearsal, during which she had a nearby auditorium outfitted with the same stage and sound as the Dorothy Chandler Pavilion when it wasn’t available for her to practice in, Madonna got to Oscar night and something I still haven’t understood about a trap door didn’t go properly thanks to a crew member in the rafters falling asleep on the job; she reportedly grabbed the P.A. who told her this unfortunate news by the collar and spun him around the room (though later insisted that the tired crew member not be fired). Her trembling during performance was interpreted by critics as her being terrified of impressing the Hollywood elite, but she was actually terrified of something else going wrong (her more recent stage fall was in her own words what happens the few times she does something she hasn’t rehearsed a million times). The performance went relatively well except for the added stress of a multi-million dollar earring from Harry Winston having slipped off her ear, precariously resting on her shoulder and barely held there by the lock of hair it had caught on (thankfully it never made it to the floor). After all that effort, how could the song not win! (Bon Jovi, Reba McEntire filling in for Meryl Streep and Harry Connick Jr had relatively easy experiences that night). This would be the first of two Oscar-winning songs that our Mo would sing, but none of the songs she wrote for movies have ever been nominated.

"Don't slide through life. Savor it. Slow down. Be kind. Pay attention. Because this isn't going to happen again." – Carrie Fisher, born October 21, 1956. #CarrieFisher

"You can't find true affection in Hollywood because everyone does the fake affection so well." – Carrie Fisher, born October 21, 1956. #CarrieFisher

Follow MyOldAddiction on Twitter

RT @ryanghinds: She loves an #elxn43 moment! https://t.co/uxnoeSMz1N 5 hours ago
"Don't slide through life. Savor it. Slow down. Be kind. Pay attention. Because this isn't going to happen again."… twitter.com/i/web/status/1… 11 hours ago
"You can't find true affection in Hollywood because everyone does the fake affection so well." – Carrie Fisher, bo… twitter.com/i/web/status/1… 11 hours ago
"There’s no room for demons when you’re self-possessed." – Carrie Fisher, born October 21, 1956. #CarrieFisher https://t.co/5lO3ZDuvKW 11 hours ago
Day 39 - Song of the South (Harve Foster, Wilfred Jackson) - So excited that I managed to see this before Karina L… twitter.com/i/web/status/1… 11 hours ago
RT @Glenn__Kenny: I don’t even agree with Coppola, at least entirely. But what’s anyone gonna do? He’s 80. Hollywood itself has tried to “c… 1 day ago
Day 38 - The Joker Is Wild (Charles Vidor, 1957). If the story involves gangsters ripping out Sinatra's throat at… twitter.com/i/web/status/1… 1 day ago
"I'm not a stooge, I'm the best straight woman in Hollywood. There's an art to playing it straight. You must build… twitter.com/i/web/status/1… 1 day ago
"Filming is absolutely horrible. I call it 'tedious formality'. I hate shooting. My only relief in the whole tireso… twitter.com/i/web/status/1… 1 day ago

Follow @bilantoniou

Create a free website or blog at WordPress.com.

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy