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My Old Addiction

Movie Reviews By Bil Antoniou

Category: 1950

October 5, 2019October 5, 2019

Scandal (Shûbun) (1950)

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September 19, 2019September 19, 2019

The Baron Of Arizona (1950)

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May 2, 2019May 3, 2019

Captain Carey, U.S.A. (1950)

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January 7, 2019April 2, 2019

Quicksand (1950)

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October 21, 2018July 10, 2019

Tea For Two (1950)

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July 16, 2016September 23, 2019

Woman On The Run (1950)

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March 4, 2016October 3, 2019

The Big Hangover (1950)

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September 19, 2015October 14, 2019

Daybreak In Udi (1950)

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Broken Arrow (1950)

March 19, 2015September 21, 2018

Broken Arrow (1950)

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Joker (2019)
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Today's review on MyOldAddiction.com, The Laundromat by #StevenSoderbergh starring #MerylStreep, "the outrageous stylistics reveal themselves more as distractions to cover up a lack of substance"

BEST MUSIC 1985: The third category of Adaptation of music was dropped this year, meaning that the delightful accompaniment to John Huston’s Prizzi’s Honour would not win a much-deserved prize, and the category has not since resurfaced despite the Academy’s reassurance that when they have enough candidates that get enough votes they will hand it out again. This left the two remaining categories which, with four years of exceptions in the mid-nineties, have been the Oscars for music since, with the Original Score category going to JOHN BARRY this year for the best work of his career scoring that year’s Best Picture winner OUT OF AFRICA. I heard a piece from this film’s score performed live at a symphony recently, and it’s truly amazing how much it creates images in your mind and a sense of heat and light without your having to actually watch it (it’s one of the most requested instrumental movie pieces on Desert Island Discs, oddly enough). Barry also won for Born Free (1966, score and song), The Lion In Winter (1968), Dances With Wolves (1990) and was nominated for Mary Queen of Scots (1971) and Chaplin (1992). He died in 2011. For Best Original Song, the Academy had the choice of two songs from WHITE NIGHTS and went for the one by LIONEL RITCHIE, “SAY YOU, SAY ME”, making for one of the many opportunities to see pop star’s at the podium in this decade. Ritchie was also nominated this same year for the song from The Colour Purple, "Miss Celie's Blues (Sister)" and was previously nominated for "Endless Love" (Endless Love, 1981). MyOldAddiction.com #AcademyAwards #Oscars #Music #Scoring #Musical #HelenMirren #MIkhailBaryshnikov #MerylStreep #RobertRedford #LionelRitchie #JohnBarry #SydneyPollack #TaylorHackford

"I don't want to be working for the sake of working. I don't want to spend my time doing something I don't love. But, at the same time, everything leads to something. Howard the Duck seemed like a great idea at the time." - Tim Robbins, born October 16, 1958. #TimRobbins

"Providing I can put one foot in front of the other, I will continue to act." - Angela Lansbury, born October 16, 1925. #AngelaLansbury

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"Providing I can put one foot in front of the other, I will continue to act." - Angela Lansbury, born October 16,… twitter.com/i/web/status/1… 5 hours ago
"I don't want to be working for the sake of working. I don't want to spend my time doing something I don't love. Bu… twitter.com/i/web/status/1… 5 hours ago
Day 34 - The Laundromat (Steven Soderbergh, 2019). A film that pretends to be about the money industrial complex is… twitter.com/i/web/status/1… 5 hours ago
Day 33 - Joker (Todd Phillips, 2019). Anybody prefer their villains without feelings? Just me? youtu.be/6wcrH15ANF8 1 day ago
"Hundreds of women have come up to me and said, 'It was because of watching Alice that I could get through another… twitter.com/i/web/status/1… 1 day ago
"Some people will of course accuse me of misanthropy and cynicism. I can't celebrate humanity but I'm not out to in… twitter.com/i/web/status/1… 1 day ago
"What is really important to me is a sense of humour and a mischief about life. Life is just too boring otherwise."… twitter.com/i/web/status/1… 1 day ago
RT @elbirdilara: this is gonna flop and we're gonna have 3 month long discourse about supporting female directed films with female led cast… 1 day ago
Day 32 - Abominable (Jill Culton, 2019). Creature features as an allegory for reaching across the aisle are nothin… twitter.com/i/web/status/1… 2 days ago

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