Oscar 1988

ACTOR IN A LEADING ROLE
Gene HackmanMississippi Burning {“Anderson”}
Tom HanksBig {“Josh”}
* Dustin HoffmanRain Man {“Raymond Babbitt”}
Edward James Olmos — Stand and Deliver {“Jaime Escalante”}
Max von SydowPelle the Conqueror {“Lasse Karlsson”}

ACTOR IN A SUPPORTING ROLE
Alec Guinness — Little Dorrit {“William Dorrit”}
* Kevin KlineA Fish Called Wanda {“Otto”}
Martin LandauTucker The Man and His Dream {“Abe”}
River PhoenixRunning on Empty {“Danny Pope”}
Dean StockwellMarried to the Mob {“Tony ‘the Tiger’ Russo”}

ACTRESS IN A LEADING ROLE
Glenn CloseDangerous Liaisons {“Marquise de Merteuil”}
* Jodie FosterThe Accused {“Sarah Tobias”}
Melanie GriffithWorking Girl {“Tess McGill”}
Meryl StreepA Cry in the Dark {“Lindy”}
Sigourney WeaverGorillas in the Mist {“Dian Fossey”}

ACTRESS IN A SUPPORTING ROLE
Joan CusackWorking Girl {“Cyn”}
* Geena DavisThe Accidental Tourist {“Muriel”}
Frances McDormandMississippi Burning {“Mrs. Pell”}
Michelle PfeifferDangerous Liaisons {“Madame de Tourvel”}
Sigourney WeaverWorking Girl {“Katharine Parker”}

ART DIRECTION
Beaches — Art Direction: Albert Brenner; Set Decoration: Garrett Lewis
* Dangerous Liaisons — Art Direction: Stuart Craig; Set Decoration: Gerard James
Rain Man — Art Direction: Ida Random; Set Decoration: Linda DeScenna
Tucker The Man and His Dream — Art Direction: Dean Tavoularis; Set Decoration: Armin Ganz
Who Framed Roger Rabbit — Art Direction: Elliot Scott; Set Decoration: Peter Howitt

CINEMATOGRAPHY
* Mississippi Burning — Peter Biziou
Rain Man — John Seale
Tequila Sunrise — Conrad L. Hall
The Unbearable Lightness of Being — Sven Nykvist
Who Framed Roger Rabbit — Dean Cundey

COSTUME DESIGN
Coming to America — Deborah Nadoolman
* Dangerous Liaisons — James Acheson
A Handful of Dust — Jane Robinson
Sunset — Patricia Norris
Tucker The Man and His Dream — Milena Canonero

DIRECTING
A Fish Called Wanda — Charles Crichton
The Last Temptation of Christ — Martin Scorsese
Mississippi Burning — Alan Parker
* Rain Man — Barry Levinson
Working Girl — Mike Nichols

DOCUMENTARY (Feature)
The Cry of Reason – Beyers Naudé: An Afrikaner Speaks Out — Robert Bilheimer and Ronald Mix, Producers
* Hotel Terminus: The Life and Times of Klaus Barbie — Marcel Ophuls, Producer
Let’s Get Lost — Bruce Weber and Nan Bush, Producers
Promises to Keep — Ginny Durrin, Producer
Who Killed Vincent Chin? — Renee Tajima and Christine Choy, Producers

DOCUMENTARY (Short Subject)
The Children’s Storefront — Karen Goodman, Producer
Family Gathering — Lise Yasui and Ann Tegnell, Producers
Gang Cops — Thomas B. Fleming and Daniel J. Marks, Producers
Portrait of Imogen — Nancy Hale and Meg Partridge, Producers
* You Don’t Have to Die — William Guttentag and Malcolm Clarke, Producers

FILM EDITING
Die Hard — Frank J. Urioste, John F. Link
Gorillas in the Mist — Stuart Baird
Mississippi Burning — Gerry Hambling
Rain Man — Stu Linder
* Who Framed Roger Rabbit — Arthur Schmidt

FOREIGN LANGUAGE FILM
Hanussen — Hungary
The Music Teacher — Belgium
* Pelle the Conqueror — Denmark
Salaam Bombay! — India
Women on the Verge of a Nervous Breakdown — Spain

MAKEUP
* Beetlejuice — Ve Neill, Steve La Porte, Robert Short
Coming to America — Rick Baker
Scrooged — Tom Burman, Bari Dreiband-Burman

MUSIC (Original Score)
The Accidental Tourist — John Williams
Dangerous Liaisons — George Fenton
Gorillas in the Mist — Maurice Jarre
* The Milagro Beanfield War — Dave Grusin
Rain Man — Hans Zimmer

MUSIC (Original Song)
“Calling You” from Bagdad Cafe — Music and Lyric by Bob Telson
* “Let The River Run” from Working Girl — Music and Lyric by Carly Simon
“Two Hearts” from Buster — Music by Lamont Dozier; Lyric by Phil Collins

BEST PICTURE
The Accidental Tourist — Lawrence Kasdan, Charles Okun and Michael Grillo, Producers
Dangerous Liaisons — Norma Heyman and Hank Moonjean, Producers
Mississippi Burning — Frederick Zollo and Robert F. Colesberry, Producers
* Rain Man — Mark Johnson, Producer
Working Girl — Douglas Wick, Producer

SHORT FILM (Animated)
The Cat Came Back — Cordell Barker
Technological Threat — Bill Kroyer, Brian Jennings
* Tin Toy — John Lasseter, William Reeves

SHORT FILM (Live Action)
* The Appointments of Dennis Jennings — Dean Parisot, Steven Wright
Cadillac Dreams — Matia Karrell, Abbee Goldstein
Gullah Tales — George deGolian, Gary Moss

SOUND
* Bird — Les Fresholtz, Dick Alexander, Vern Poore, Willie D. Burton
Die Hard — Don Bassman, Kevin F. Cleary, Richard Overton, Al Overton
Gorillas in the Mist — Andy Nelson, Brian Saunders, Peter Handford
Mississippi Burning — Robert Litt, Elliot Tyson, Rick Kline, Danny Michael
Who Framed Roger Rabbit — Robert Knudson, John Boyd, Don Digirolamo, Tony Dawe

SOUND EFFECTS EDITING
Die Hard — Stephen H. Flick, Richard Shorr
* Who Framed Roger Rabbit — Charles L. Campbell, Louis L. Edemann
Willow — Ben Burtt, Richard Hymns

VISUAL EFFECTS
Die Hard — Richard Edlund, Al DiSarro, Brent Boates, Thaine Morris
* Who Framed Roger Rabbit — Ken Ralston, Richard Williams, Edward Jones, George Gibbs
Willow — Dennis Muren, Michael McAlister, Phil Tippett, Chris Evans

WRITING (Screenplay Based on Material from Another Medium)
The Accidental Tourist — Frank Galati, Lawrence Kasdan
* Dangerous Liaisons — Christopher Hampton
Gorillas in the Mist — Screenplay by Anna Hamilton Phelan; Story by Anna Hamilton Phelan, Tab Murphy
Little Dorrit — Christine Edzard
The Unbearable Lightness of Being — Jean-Claude Carrière, Philip Kaufman

WRITING (Screenplay Written Directly for the Screen)
Big — Gary Ross, Anne Spielberg
Bull Durham — Ron Shelton
A Fish Called Wanda — Screenplay by John Cleese; Story by John Cleese, Charles Crichton
* Rain Man — Screenplay by Ronald Bass, Barry Morrow; Story by Barry Morrow
Running on Empty — Naomi Foner

SPECIAL ACHIEVEMENT AWARD
To Richard Williams for the animation direction of Who Framed Roger Rabbit.

HONORARY AWARD
To the National Film Board of Canada in recognition of its 50th anniversary and its dedicated commitment to originate artistic, creative and technological activity and excellence in every area of film making.
To Eastman Kodak Company in recognition of the company’s fundamental contributions to the art of motion pictures during the first century of film history.

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