My Old Addiction

Oscar 1963

ACTOR
Albert FinneyTom Jones {“Tom Jones”}
Richard Harris — This Sporting Life {“Frank Machin”}
Rex HarrisonCleopatra {“Julius Caesar”}
Paul NewmanHud {“Hud Bannon”}
* Sidney PoitierLilies of the Field {“Homer Smith”}

ACTOR IN A SUPPORTING ROLE
Nick Adams — Twilight of Honor {“Ben Brown”}
Bobby Darin — Captain Newman, M.D. {“Corp. Jim Tompkins”}
* Melvyn DouglasHud {“Homer Bannon”}
Hugh GriffithTom Jones {“Squire Western”}
John HustonThe Cardinal {“Cardinal Glennon”}

ACTRESS
Leslie Caron — The L-Shaped Room {“Jane”}
Shirley MacLaineIrma La Douce {“Irma La Douce”}
* Patricia NealHud {“Alma”}
Rachel Roberts — This Sporting Life {“Mrs. Hammond”}
Natalie WoodLove with the Proper Stranger {“Angie”}

ACTRESS IN A SUPPORTING ROLE
Diane CilentoTom Jones {“Molly”}
Dame Edith EvansTom Jones {“Miss Western”}
Joyce RedmanTom Jones {“Mrs. Waters”}
* Margaret RutherfordThe V.I.P.s {“Duchess of Brighton”}
Lilia SkalaLilies of the Field {“Mother Maria”}

ART DIRECTION (Black-and-White)
* America America — Gene Callahan
Federico Fellini’s 8-1/2 — Piero Gherardi
Hud — Art Direction: Hal Pereira, Tambi Larsen; Set Decoration: Sam Comer, Robert Benton
Love with the Proper Stranger — Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Grace Gregory
Twilight of Honor — Art Direction: George W. Davis, Paul Groesse; Set Decoration: Henry Grace, Hugh Hunt

ART DIRECTION (Color)
The Cardinal — Art Direction: Lyle Wheeler; Set Decoration: Gene Callahan
* Cleopatra — Art Direction: John DeCuir, Jack Martin Smith, Hilyard Brown, Herman Blumenthal, Elven Webb, Maurice Pelling, Boris Juraga; Set Decoration: Walter M. Scott, Paul S. Fox, Ray Moyer
Come Blow Your Horn — Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, James Payne
How the West Was Won — Art Direction: George W. Davis, William Ferrari, Addison Hehr; Set Decoration: Henry Grace, Don Greenwood, Jr., Jack Mills
Tom Jones — Art Direction: Ralph Brinton, Ted Marshall, Jocelyn Herbert; Set Decoration: Josie MacAvin

CINEMATOGRAPHY (Black-and-White)
The Balcony — George Folsey
The Caretakers — Lucien Ballard
* Hud — James Wong Howe
Lilies of the Field — Ernest Haller
Love with the Proper Stranger — Milton Krasner

CINEMATOGRAPHY (Color)
The Cardinal — Leon Shamroy
* Cleopatra — Leon Shamroy
How the West Was Won — William H. Daniels, Milton Krasner, Charles Lang, Jr., Joseph LaShelle
Irma La Douce — Joseph LaShelle
It’s a Mad, Mad, Mad, Mad World — Ernest Laszlo

COSTUME DESIGN (Black-and-White)
* Federico Fellini’s 8-1/2 — Piero Gherardi
Love with the Proper Stranger — Edith Head
The Stripper — Travilla
Toys in the Attic — Bill Thomas
Wives and Lovers — Edith Head

COSTUME DESIGN (Color)
The Cardinal — Donald Brooks
* Cleopatra — Irene Sharaff, Vittorio Nino Novarese, Renie
How the West Was Won — Walter Plunkett
The Leopard — Piero Tosi
A New Kind of Love — Edith Head

DIRECTING
America America — Elia Kazan
The Cardinal — Otto Preminger
Federico Fellini’s 8-1/2 — Federico Fellini
Hud — Martin Ritt
* Tom Jones — Tony Richardson

DOCUMENTARY (Feature)
Le Maillon et la Chaine (The Link and the Chain) — Paul de Roubaix, Producer
* Robert Frost: A Lover’s Quarrel with the World — Robert Hughes, Producer
Terminus — Edgar Anstey, Producer
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. After the nominations were announced, it was discovered that this film was first released prior to the eligibility period, and the nomination was withdrawn.]
The Yanks Are Coming — Marshall Flaum, Producer

DOCUMENTARY (Short Subject)
* Chagall — Simon Schiffrin, Producer
The Five Cities of June — George Stevens, Jr., Producer
The Spirit of America — Algernon G. Walker, Producer
Thirty Million Letters — Edgar Anstey, Producer
To Live Again — Mel London, Producer

FILM EDITING
The Cardinal — Louis R. Loeffler
Cleopatra — Dorothy Spencer
The Great Escape — Ferris Webster
* How the West Was Won — Harold F. Kress
It’s a Mad, Mad, Mad, Mad World — Frederic Knudtson, Robert C. Jones, Gene Fowler, Jr.

FOREIGN LANGUAGE FILM
* Federico Fellini’s 8-1/2 — Italy
Knife in the Water — Poland
Los Tarantos — Spain
The Red Lanterns — Greece
Twin Sisters of Kyoto — Japan

MUSIC (Music Score–substantially original)
Cleopatra — Alex North
55 Days at Peking — Dimitri Tiomkin
How the West Was Won — Alfred Newman, Ken Darby
It’s a Mad, Mad, Mad, Mad World — Ernest Gold
* Tom Jones — John Addison

MUSIC (Scoring of Music–adaptation or treatment)
Bye Bye Birdie — John Green
* Irma La Douce — Andre Previn
A New Kind of Love — Leith Stevens
Sundays and Cybele — Maurice Jarre
The Sword in the Stone — George Bruns

MUSIC (Song)
* “Call Me Irresponsible” from Papa’s Delicate Condition — Music by James Van Heusen; Lyrics by Sammy Cahn
“Charade” from Charade — Music by Henry Mancini; Lyrics by Johnny Mercer
“It’s A Mad, Mad, Mad, Mad World” from It’s a Mad, Mad, Mad, Mad World — Music by Ernest Gold; Lyrics by Mack David
“More” from Mondo Cane — Music by Riz Ortolani and Nino Oliviero; Lyrics by Norman Newell
“So Little Time” from 55 Days at Peking — Music by Dimitri Tiomkin; Lyrics by Paul Francis Webster

BEST PICTURE
America America — Elia Kazan, Producer
Cleopatra — Walter Wanger, Producer
How the West Was Won — Bernard Smith, Producer
Lilies of the Field — Ralph Nelson, Producer
* Tom Jones — Tony Richardson, Producer

SHORT SUBJECT (Cartoon)
Automania 2000 — John Halas, Producer
* The Critic — Ernest Pintoff, Producer
The Game (Igra) — Dusan Vukotic, Producer
My Financial Career — Colin Low and Tom Daly, Producers
Pianissimo — Carmen D’Avino, Producer

SHORT SUBJECT (Live Action)
The Concert — Ezra Baker, Producer
Home-Made Car — James Hill, Producer
* An Occurrence at Owl Creek Bridge — Paul de Roubaix and Marcel Ichac, Producers
Six-Sided Triangle — Christopher Miles, Producer
That’s Me — Walker Stuart, Producer

SOUND
Bye Bye Birdie — Columbia Studio Sound Department, Charles Rice, Sound Director
Captain Newman, M.D. — Universal City Studio Sound Department, Waldon O. Watson, Sound Director
Cleopatra — 20th Century-Fox Studio Sound Department, James P. Corcoran, Sound Director; and Todd-AO Sound Department, Fred Hynes, Sound Director
* How the West Was Won — Metro-Goldwyn-Mayer Studio Sound Department, Franklin E. Milton, Sound Director
It’s a Mad, Mad, Mad, Mad World — Samuel Goldwyn Studio Sound Department, Gordon E. Sawyer, Sound Director

SOUND EFFECTS
A Gathering Of Eagles — Robert L. Bratton
* It’s a Mad, Mad, Mad, Mad World — Walter G. Elliott

SPECIAL EFFECTS
The Birds — Ub Iwerks
* Cleopatra — Emil Kosa, Jr.

WRITING (Screenplay–based on material from another medium)
Captain Newman, M.D. — Richard L. Breen, Phoebe Ephron, Henry Ephron
Hud — Irving Ravetch, Harriet Frank, Jr.
Lilies of the Field — James Poe
Sundays and Cybele — Serge Bourguignon, Antoine Tudal
* Tom Jones — John Osborne

WRITING (Story and Screenplay–written directly for the screen)
America America — Elia Kazan
Federico Fellini’s 8-1/2 — Federico Fellini, Ennio Flaiano, Tullio Pinelli, Brunello Rondi
The Four Days of Naples — Story by Pasquale Festa Campanile, Massimo Franciosa, Nanni Loy, Vasco Pratolini; Screenplay by Carlo Bernari, Pasquale Festa Campanile, Massimo Franciosa, Nanni Loy
* How the West Was Won — James R. Webb
Love with the Proper Stranger — Arnold Schulman

IRVING G. THALBERG MEMORIAL AWARD
Sam Spiegel

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