Oscar 1962

Burt Lancaster — Birdman of Alcatraz {“Robert Stroud”}
Jack Lemmon — Days of Wine and Roses {“Joe Clay”}
Marcello Mastroianni — Divorce–Italian Style {“Ferdinando Cefalu”}
Peter O’Toole — Lawrence of Arabia {“T.E. Lawrence”}
* Gregory Peck — To Kill a Mockingbird {“Atticus Finch”}

* Ed Begley — Sweet Bird of Youth {“Tom ‘Boss’ Finley”}
Victor Buono — What Ever Happened to Baby Jane? {“Edwin Flagg”}
Telly Savalas — Birdman of Alcatraz {“Feto Gomez”}
Omar Sharif — Lawrence of Arabia {“Sherif Ali ibn el Kharish”}
Terence Stamp — Billy Budd {“Billy Budd”}

* Anne Bancroft — The Miracle Worker {“Annie Sullivan”}
Bette Davis — What Ever Happened to Baby Jane? {“Jane Hudson”}
Katharine Hepburn — Long Day’s Journey into Night {“Mary Tyrone”}
Geraldine Page — Sweet Bird of Youth {“Alexandra Del Lago”}
Lee Remick — Days of Wine and Roses {“Kirsten Arnesen”}

Mary Badham — To Kill a Mockingbird {“Scout Finch”}
* Patty Duke — The Miracle Worker {“Helen Keller”}
Shirley Knight — Sweet Bird of Youth {“Heavenly Finley”}
Angela Lansbury — The Manchurian Candidate {“Raymond’s Mother”}
Thelma Ritter — Birdman of Alcatraz {“Elizabeth Stroud”}

ART DIRECTION (Black-and-White)
Days of Wine and Roses — Art Direction: Joseph Wright; Set Decoration: George James Hopkins
The Longest Day — Art Direction: Ted Haworth, Leon Barsacq, Vincent Korda; Set Decoration: Gabriel Bechir
Period of Adjustment — Art Direction: George W. Davis, Edward Carfagno; Set Decoration: Henry Grace, Dick Pefferle
The Pigeon That Took Rome — Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Frank R. McKelvy
* To Kill a Mockingbird — Art Direction: Alexander Golitzen, Henry Bumstead; Set Decoration: Oliver Emert

* Lawrence of Arabia — Art Direction: John Box, John Stoll; Set Decoration: Dario Simoni
Meredith Willson’s The Music Man — Art Direction: Paul Groesse; Set Decoration: George James Hopkins
Mutiny on the Bounty — Art Direction: George W. Davis, J. McMillan Johnson; Set Decoration: Henry Grace, Hugh Hunt
That Touch of Mink — Art Direction: Alexander Golitzen, Robert Clatworthy; Set Decoration: George Milo
The Wonderful World of the Brothers Grimm — Art Direction: George W. Davis, Edward Carfagno; Set Decoration: Henry Grace, Dick Pefferle

CINEMATOGRAPHY (Black-and-White)
Birdman of Alcatraz — Burnett Guffey
* The Longest Day — Jean Bourgoin, Walter Wottitz, (Henri Persin)
[NOTE: Originally, the three names of Jean Bourgoin, Henri Persin and Walter Wottitz (as listed on the Official Screen Credits form) were announced as nominees for this film in this category. The credits from the film listed four Directors of Photography (in the following order), Mr. Persin, Mr. Wottitz, Pierre Levent and Mr. Bourgoin. The program for the Awards ceremony and even the official letter from Price Waterhouse with the results of the final voting for the awards listed the three names as winners in this category. At some point, the name of Henri Persin was dropped from the nomination, as his name has been “whited-out” from the official wording for the nomination certificates, and the nominations and winners lists the Academy publishes do not include his name. The Academy’s records and files give no reason for this exclusion.]
To Kill a Mockingbird — Russell Harlan
Two for the Seesaw — Ted McCord
What Ever Happened to Baby Jane? — Ernest Haller

Gypsy — Harry Stradling, Sr.
Hatari! — Russell Harlan
* Lawrence of Arabia — Fred A. Young
Mutiny on the Bounty — Robert L. Surtees
The Wonderful World of the Brothers Grimm — Paul C. Vogel

COSTUME DESIGN (Black-and-White)
Days of Wine and Roses — Don Feld
The Man Who Shot Liberty Valance — Edith Head
The Miracle Worker — Ruth Morley
Phaedra — Denny Vachlioti
* What Ever Happened to Baby Jane? — Norma Koch

Bon Voyage! — Bill Thomas
Gypsy — Orry-Kelly
Meredith Willson’s The Music Man — Dorothy Jeakins
My Geisha — Edith Head
* The Wonderful World of the Brothers Grimm — Mary Wills

David and Lisa — Frank Perry
Divorce–Italian Style — Pietro Germi
* Lawrence of ArabiaDavid Lean
The Miracle Worker — Arthur Penn
To Kill a Mockingbird — Robert Mulligan

Alvorada (Brazil’s Changing Face) — Hugo Niebeling, Producer
* Black Fox — Louis Clyde Stoumen, Producer

DOCUMENTARY (Short Subject)
* Dylan Thomas — Jack Howells, Producer
The John Glenn Story — William L. Hendricks, Producer
The Road to the Wall — Robert Saudek, Producer

* Lawrence of Arabia — Anne Coates
The Longest Day — Samuel E. Beetley
The Manchurian Candidate — Ferris Webster
Meredith Willson’s The Music Man — William Ziegler
Mutiny on the Bounty — John McSweeney, Jr.

Electra — Greece
The Four Days of Naples — Italy
Keeper of Promises (The Given Word) — Brazil
* Sundays and Cybele — France
Tlayucan — Mexico

MUSIC (Music Score–substantially original)
Freud — Jerry Goldsmith
* Lawrence of Arabia — Maurice Jarre
Mutiny on the Bounty — Bronislau Kaper
Taras Bulba — Franz Waxman
To Kill a Mockingbird — Elmer Bernstein

MUSIC (Scoring of Music–adaptation or treatment)
Billy Rose’s Jumbo — George Stoll
Gigot — Michel Magne
Gypsy — Frank Perkins
* Meredith Willson’s The Music Man — Ray Heindorf
The Wonderful World of the Brothers Grimm — Leigh Harline

MUSIC (Song)
* “Days Of Wine And Roses” from Days of Wine and Roses — Music by Henry Mancini; Lyrics by Johnny Mercer
“Love Song From Mutiny On The Bounty (Follow Me)” from Mutiny on the Bounty — Music by Bronislau Kaper; Lyrics by Paul Francis Webster
“Song From Two For The Seesaw (Second Chance)” from Two for the Seesaw — Music by Andre Previn; Lyrics by Dory Langdon
“Tender Is The Night” from Tender Is the Night — Music by Sammy Fain; Lyrics by Paul Francis Webster
“Walk On The Wild Side” from Walk on the Wild Side — Music by Elmer Bernstein; Lyrics by Mack David

* Lawrence of Arabia — Sam Spiegel, Producer
The Longest Day — Darryl F. Zanuck, Producer
Meredith Willson’s The Music Man — Morton Da Costa, Producer
Mutiny on the Bounty — Aaron Rosenberg, Producer
To Kill a Mockingbird — Alan J. Pakula, Producer

* The Hole — John Hubley and Faith Hubley, Producers
Icarus Montgolfier Wright — Jules Engel, Producer
Now Hear This — Warner Bros.
Self Defense–For Cowards — William L. Snyder, Producer
Symposium on Popular Songs — Walt Disney, Producer

Big City Blues — Martina Huguenot van der Linden and Charles Huguenot van der Linden, Producers
The Cadillac — Robert Clouse, Producer
The Cliff Dwellers (formerly titled ‘One Plus One’) — Hayward Anderson, Producer
* Heureux Anniversaire (Happy Anniversary) — Pierre Etaix and J.C. Carrière, Producers
Pan — Herman van der Horst, Producer

Bon Voyage! — Walt Disney Studio Sound Department, Robert O. Cook, Sound Director
* Lawrence of Arabia — Shepperton Studio Sound Department, John Cox, Sound Director
Meredith Willson’s The Music Man — Warner Bros. Studio Sound Department, George R. Groves, Sound Director
That Touch of Mink — Universal City Studio Sound Department, Waldon O. Watson, Sound Director
What Ever Happened to Baby Jane? — Glen Glenn Sound Department, Joseph Kelly, Sound Director

* The Longest Day — Visual Effects by Robert MacDonald; Audible Effects by Jacques Maumont
Mutiny on the Bounty — Visual Effects by A. Arnold Gillespie; Audible Effects by Milo Lory

WRITING (Screenplay–based on material from another medium)
David and Lisa — Eleanor Perry
Lawrence of Arabia — Robert Bolt, Michael Wilson
[NOTE: The Board of Governors voted on September 26, 1995 to grant then-blacklisted writer Michael Wilson an Academy Award nomination, along with Robert Bolt, for Lawrence of Arabia. This was the result of a Writers Guild of America finding that Wilson and Bolt share the credit for the screenplay.]
Lolita — Vladimir Nabokov
The Miracle Worker — William Gibson
* To Kill a Mockingbird — Horton Foote

WRITING (Story and Screenplay–written directly for the screen)
* Divorce–Italian Style — Ennio de Concini, Alfredo Giannetti, Pietro Germi
Freud — Story by Charles Kaufman; Screenplay by Charles Kaufman, Wolfgang Reinhardt
Last Year at Marienbad — Alain Robbe-Grillet
That Touch of Mink — Stanley Shapiro, Nate Monaster
Through a Glass Darkly — Ingmar Bergman

Steve Broidy