The Train (1964)

JOHN FRANKENHEIMER

Bil’s rating (out of 5): BBBB.5

//USA, 1964, Screen story and Screenplay by , , based on Le Front De L’Art by Cinematography by , Produced by Music by Production Design by Costume Design by Film Editing by Academy Awards 1965National Board of Review Awards 1965.

The war is coming to an end, we’re in the last few months of battle and things aren’t going well for the Germans who have been occupying and destroying all of Europe for years. In France, a gallery of paintings by some of the country’s greatest artists is significant to German colonel Paul Scofield, who orders it all to be boxed up and loaded onto a train to be kept as Nazi loot. Thankfully, the trainyard is already populated by workers who have the resistance spirit, already in the process of delaying the departure of some engines to make sure they get caught in Allied bombing raids, but when he’s asked to help keep the enemy from stealing these paintings, railway superintendent Burt Lancaster balks at the notion that they’re worth the effort. When a personal loss changes the playing field, however, he and get on board and do everything in their power to make sure that masterpieces by the likes of van Gogh and Matisse never leave France, the process of which involves a lot of smart maneuvers that could get everyone killed (and, as this film does a brilliant job with presenting impressive stakes, sometimes does). This is one of the best movies set on a train that you will ever see, made so vivid and exciting by director John Frankenheimer’s insistence on using a lot of real vehicles for the scenes of destruction. The budget skyrocketed because of his demands but the result is well worth it, there’s a real feeling of size and power coming off the screen thanks to the fact that real locomotives are being destroyed before your eyes, and it helps that he films it all so effectively. Buying Lancaster as a Frenchman is probably the only artificial move being made here, it’s particularly awkward to watch him next to actors like Remy and who are being badly dubbed by English-speakers, but make the choice to forget about this quickly and enjoy this thrilling ride. has a gem of a supporting role as an innkeeper whose political sympathies don’t complicate her desire to stay out of trouble’s way.

 

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