NORMAN Z. McLEOD
Bil’s rating (out of 5): BBB.
USA, 1948. Paramount Pictures. Screenplay by Edmund L. Hartmann, Frank Tashlin, additional dialogue by Jack Rose. Cinematography by Ray Rennahan. Produced by Robert L. Welch. Music by Victor Young. Production Design by Hans Dreier, A. Earl Hendrick. Costume Design by Mary Kay Dodson. Film Editing by Ellsworth Hoagland.
Calamity Jane (Jane Russell) is in prison and looking at a lengthy sentence, but lawmen have need of her skills and release her on condition: they want her to go west on a wagon train disguised as the wife of one of their agents, her assignment to root out smugglers who are selling arms to enemy “Indians”. She agrees because they promise her a pardon, but she has to think fast when the man who is meant to be her partner is found dead and the bad guys come after her. The solution to her dilemma is a cowardly dentist (Bob Hope) who will take the dead man’s place without knowing it, a bumbling fool who can’t believe his luck when this curvy beauty wants to marry him on sight. On the road, he surprises himself when they are attacked by enemies and he somehow manages to kill them all despite having no finesse with a gun. The film’s politics regarding the presence of indigenous people are atrocious by today’s standards, Sacheen Littlefeather might have taken to that Oscar stage for this one movie alone, while the rhythm of the action is sluggish and laboured, marred a great deal by the uneven quality of the lead performances. Hope elicits plenty of laughs for his foolish pranks, but the whipsmart timing and confidence that Russell would show in Gentlemen Prefer Blondes hasn’t appeared yet, her performance here is weak and only periodically does she seem to be in on the joke.
Academy Award: Best Original Song (“Buttons And Bows”)
