The Trip (1967)

BB

(out of 5)


Watching other people do drugs while you stay sober is boring, and trying get around this by using kaleidoscope effects and painting far-out colours on womens’ breasts turns out not to be very effective.  is gorgeous as a very sad husband whose wife (an underused ) has served him divorce papers and put him in a funk.  His buddies and suggest dropping acid as a necessary next step towards healing (because it’s 1967), and the majority of the film, one in which someone says “groovy” every two minutes, is spent watching him deal with the effects of the drug.  As with most Roger Corman features, it accomplishes quite a striking look on a very low budget, even the most dated flower-power costumes and sets are bright and colourful, but an actor as charismatic as Fonda can only be so entertaining when he spends most of his time on screen staring.  It’s a film that captures its time and place beautifully, a pre-cursor to the more compelling madness of Easy Rider, but its culture couldn’t be more foreign to modern day sensibilities if it took place on the moon.  That it stresses a negative view of Fonda’s experience, maintaining Fonda’s perspective of having a bad time and never really fully understanding why, gives the film a conservative tone more in line with a Nancy Reagan campaign than the kind of youthful rebellion that is produced.  Written by Jack Nicholson and based on his own experiences trying LSD while dealing with his own divorce, the film’s pre-production reportedly invovled Corman and his cast trying the drug to prepare for shooting.


USA, 1967

Directed by Roger Corman

Screenplay by

Cinematography by

Produced by

Music by

Production Design by

Costume Design by

Film Editing by


 

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