The Twelve Chairs


(out of 5)

Mel Brooks follows his breakthrough success The Producers with a less popular though still amiable comedy.  In the early years of the Soviet Union, a fallen aristocrat () learns from his mother on her deathbed that she hid a pile of family jewels in one of twelve dining chairs that they left behind in the mansion that has now become an old age home.  Voyaging there immediately following her death, Moody is devastated to learn that the chairs have been sent away, then on his journey to find them is forced to get into a partnership with a handsome con artist () who has found out his secret.  The two of them are now on a chase across Russia to outwit the greedy priest () who eavesdropped on the mother’s confession, their search taking them to museums, travelling theatres and workers halls in their madcap effort to locate the treasure.  Bright and bouncy and featuring a wonderful cast, not to mention a few undeniably hilarious moments, the film mainly suffers for being caught between two interpreations of comedy.  On the hand, Brooks wants to put across an adorable, Maupassant-esque tale about life’s unfair twists and turns culminating in an ending that is a sly but not subtle criticism of the practicality of communism, but on the other hand he hires actors like Deluise to do the schticky acting that Brooks’ later parodies would benefit far more from.  Filmed entirely in Yugoslavia, it’s not worthless despite only being partially successful, and the colourful cinematography is a treat.


USA, 1970

Directed by Mel Brooks

Screenplay by Mel Brooks, based on the novel by and the translation Diamonds To Sit On by

Cinematography by

Produced by

Music by

Production Design by

Costume Design by

Film Editing by


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