Field Of Dreams

BBB

(out of 5)


Once a rebellious child of late-sixties counterculture,  is now the proud owner of an Iowa farm with wife  and daughter , walking through his fields one night when a voice from nowhere (actually ) tells him to build a baseball diamond in his backyard.  Costner obliges, risking his financial stability, and upon completing the project witnesses the entire 1919-era Chicago White Sox team led by Shoeless Joe Jackson () appear out of thin air to play baseball in his field.  The ghost voice isn’t done making requests, however, sending Costner on a cross country search for a once radical author () turned passive recluse, whom he brings home to witness his miracle while his brother in law () has papers ready to take over the struggling farm (it’s hard to sell crops when you’ve put a baseball diamond where the corn should grow).  Sweet, sincere and wholly ridiculous, this film begins with capricious charm, has a wonderful second act that is a delight to watch (Costner’s adventures in the east are terrific) and then gets painfully messy in its shamelessly manipulative closing.  The whole thing is a great way to let men cry without shame, making it the perfect selection for the kind of viewer who thinks that that actually matters, while the subtle but unnecessary jab at the flower power generation (sorry I was protesting instead of behaving like my capitalist father, let’s play catch and fix it all) makes for the kind of middle-class hogwash that only the eigthies could have stomached.  Costner is the definition of easy charm in the lead, though believing him as the kind of guy who spent his youth at Woodstock is impossible (not to mention illogical given that they do a poor job of making the timing make sense).


USA, 1989

Directed by

Screenplay by Phil Alden Robinson, based on the book by

Cinematography by

Produced by ,

Music by

Production Design by

Costume Design by

Film Editing by


Cast Tags:  , , , , ,, , , , , , , , , , , , , , , ,  , , , , , , , , , , , , , , ,, , , , , , , , , , , ,


Academy Award Nominations
Best Music (Original Score) (James Horner)
Best Picture (Lawrence Gordon, Charles Gordon, producers)
Best Writing (Screenplay Based on Material From Another Medium) (Phil Alden Robinson)

Directors Guild Award Nomination
Outstanding Directorial Achievement in Motion Pictures (Phil Alden Robinson)

National Board of Review Award
Top Ten Films

Writers Guild Award Nomination
Best Screenplay Based on Material from Another Medium


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