The Music Man (1962)

MORTON DaCOSTA

Bil’s rating (out of 5):  BB

USA, 1962.  .  Screenplay by , in collaboration with , based on the musical by .  Cinematography by .  Produced by Morton DaCosta.  Music by .  Production Design by Paul Groesse.  Costume Design by .  Film Editing by .  

Meredith Willson’s eternally popular musical steeped in cloying Americana has been turned into a giant, thoroughly irritating film experience. Robert Preston is still playing for the third balcony as the titular con artist who goes to small, wholesome towns pretending to be a traveling salesman, convincing people to order band uniforms and instruments that he has no interest in delivering on.  Arriving in a lovely Iowa burg, his experience is altered by his love for a gorgeous librarian named Marian (Shirley Jones) which threatens to turn him legit except for the real traveling salesman who is hunting him down to expose his fraud (honestly, they make movies about this sort of thing).  A series of tuneless songs with a few well-known hits scattered among them lengthen the torture of a good deal of cardboard performances and contrived jabs at humour.  The only sign of life is Jones, who gives real dimension to all her scenes (she can’t even hug her little brother without genuine warm feeling), highlighted by her gorgeous duet with a barbershop quartet that is the film’s best number.  Ravishing sets and costumes are a pleasure to look at, but the whole thing has the same heavy, stilted feeling that Warner Bros would bring to their adaptation of My Fair Lady a couple of years later, though with far less charisma from the performers and dialogue.  For devoted fans of musicals only.

Academy Award:  Best Scoring of Music-Adaptation or Treatment
Nominations: Best Picture; Best Art Direction-Colour; Best Costume Design-Colour; Best Film Editing; Best Sound

Golden Globe Award:  Best Picture-Musical
Nominations: Best Actor-Musical/Comedy (Robert Preston); Best Actress-Musical/Comedy (Shirley Jones); Best Supporting Actress (Hermione Gingold); Best Director (Morton DaCosta); Best Original Score

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