Neruda

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(out of 5)


Pablo Neruda has helped elect Videla to office but now greatly regrets the effort, and despite his Communist party membership making him a target of the president’s efforts to wipe the party out, Neruda maintains his ability to speak his mind about his country’s politics while also wooing the Chilean populace with his romantic, indelibly beautiful poetry.  When the party leadership advises him to clear out and go abroad for his own safety, he embarks on a journey towards Argentina and beyond while, hot on his heels, a police officer () chases him.  Bernal narrates this hypnotic tale that is as much poetic interpretation of events as it is factual recreation: Bernal is an authority figure who does not doubt his moral responsibility to take Neruda into custody, but you get the impression very quickly that he is as intoxicated by the web the author weaves (leaving behind detective novels as clues for him to find, for instance) as he is allergic to his ideological hypocrisy (for a self-professed red, Neruda sure does enjoy having champagne poured down his throat in brothels).  Bernal’s journey through this experience has him bringing the focus onto the role of narrative in our lives, the way that casting our past actions helps us build our images of ourselves; director Pablo Larrain makes it all go down so smoothly thanks to humorous and brisk direction.


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Chile/Argentina/France/Spain/USA, 2016

Directed by

Screenplay by

Cinematography by

Produced by , , , , , , , , ,

Music by

Production Design by

Film Editing by

Film Festivals: TIFF 2016


Cast Tags:  , , , , , , , , , , , , , , ,, , , ,


Golden Globe Award Nomination
Best Motion Picture-Foreign Language

National Board of Review Award
Top Five Foreign Language Films


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