TEST, poster art, bottom, from left: Scott Marlowe, Matthew Risch, 2013. ©Variance Films/CourtesyBBB.5

(out of 5)

It’s San Francisco in 1985, the place that ranks high for gay liberation in America and a time when said paradise has been turned into a town of paranoia and fear. With the now identified AIDS virus capturing headlines and terrorizing gay communities around the country (and of course the world), a newly available blood test means more fear than reassurance for anyone who feels compelled to take it. Frankie () is an aspiring dancer whose friction with members of his troupe and uncomfortable relationship with his (presumably) straight roommate contribute to the general solitude of his daily life. When he is not lost in his thoughts of gorgeously filmed brooding, Frankie is in the studio practicing his exquisite moves in the hopes of becoming a lead player in the dance company that still has him as an apprentice, putting up with the usual stream of criticism and discouragement that young performers are subject to. What comes out of all the elements blended together gracefully by writer/director Chris Mason Johnson is a touching, elegant film about personal goals and personal fears, made that much more enjoyable by the plentitude of beautiful men and even more exquisite dancing. Marlowe is terrific in the lead, as sympathetic as he is beautiful, and while the period details frequently fail to ring true (it’s obviously shot in 2013), at least there’s a consistency to the overall visual aesthetic that keeps that from being a jarring problem; you basically accept that a Walkman and dial phone is the best they can do on this budget and leave the rest of your judgments at the door.

Serious Productions, Gloss Studio

USA, 2013

Directed by 

Screenplay by Chris Mason Johnson

Cinematography by 

Produced by Chris Mason Johnson, Chris Martin

Music by

Production Design by

Costume Design by

Film Editing by , Chris Mason Johnson,


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