Cake (2014)

DANIEL BARNZ

Bil’s rating (out of 5):  BBB

USA, 2014, , , .  Screenplay by Patrick Tobin.  Cinematography by Rachel Morrison.  Produced by , , , .  Music by . Production Design by .  Costume Design by .  Film Editing by , .  Golden Globe Awards 2014Toronto International Film Festival 2014.  

‘s sarcastic, broken-down protagonist seems to have nothing but the wrong side of the bed to wake up on for the rest of her life.  The scars on her body reveal a past trauma, and her behavior in the support group that soon kicks her out tell us that she is not in any way ready to find the positive side to her situation.  A fellow member of her group has recently committed suicide, which piques Aniston’s interest and draws her into the sphere of the deceased’s widower (), while her smart and good-natured maid (Adriana Barraza in a superb performance) keeps her company and does her best to dampen down her worst habits.  The film progresses through shopping trips to Tijuana, late-night trysts with random handymen and visits to the highway overpass where the woman ended her life, along the way revealing small details of the truth of what brought this angry woman to this place and why she believes she needs to stay there.  The reality that director Daniel Barnz and writer Patrick Tobin create is part of why this film is absorbing and moving but not quite riveting: it’s almost one-note how good it is at presenting this woman’s misery accurately, making up what it lacks in tonal shifts with its honesty and integrity.  There are no pat-happy resolutions and no false rescues, and Aniston’s exceptionally grounded performance makes sure you believe she is genuinely in physical pain every step of the way.  It’s no Passion Fish, but her relationship with Barraza is the best part of the movie, and the most dynamic, but in her solo moments she manages to do some dazzling things with very little as well, applying the charisma that has served her so well in lighter fare to something dark and, at times, sinister.  It goes on too long, however, with more turns in the plot at the end than it needs (two references to the title where only one is needed!), but it is so fine in its lack of pretentiousness (even with dream sequences involved) that you will easily allow for it to overstay its welcome.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s