Bil’s rating (out of 5): BBB.
Australia/USA/Denmark, 2014. Columbia Pictures, Metro-Goldwyn-Mayer, Relativity Media, Original Film, Stephen J. Cannell Productions. Story by Dan Hageman, Kevin Hageman, Phil Lord, Christopher Miller, Screenplay by Phil Lord, Christopher Miller. Cinematography by Barry Peterson, Pablo Plaisted. Produced by Roy Lee, Dan Lin. Music by Mark Mothersbaugh. Production Design by Grant Freckelton. Film Editing by David Burrows, Chris McKay.
A nameless face in the crowd dreams of being unique, and thanks to luck and happenstance ends up becoming the hero for a nation: it’s a tale as old as time, and one that animated films have been mining countlessly since A Bug’s Life (or maybe earlier if I actually give it more thought, which I won’t). Here we have a spin on the familiar yarn that might capture the viewer’s imagination, as the setting is a world made of Lego toys and the characters involved are the figurines that scores of children have played with for decades. Emmet (Chris Pratt) is a common construction worker who hopes one day to be popular but isn’t even well known to his colleagues. He gets his chance at stardom when he is mistaken for a MasterBuilder, slated to fulfill a prophecy that will see him stop an evil corporate tyrant (Will Ferrell) from ruining the many different Lego worlds with his doomsday machine. The wry humour is enriched by a clever commitment to the situation at hand: everything really is made of Lego and addended by common household items in this technically impressive adventure, and the Wizard Of Oz-ish outcome revealing that what we thought was universal power is actually a little man behind a curtain (not exactly, but I don’t want to give too much away) makes sure we never forget that we are watching a movie made of toys. At the same time it’s something of a tiresome exercise in cuteness, a premise that establishes its gimmick quickly and never really builds (no pun intended) on it. It’s not as mundane as Wreck It Ralph, one of the many films whose plot it easily echoes, and, despite an overextended live-action sequence that promises far more emotional payoff than it actually delivers, is bright and bouncy throughout. That said, many of faster-paced action scenes will annoy anyone not struggling with ADD.
Academy Award Nomination: Best Original Song (“Everything Is Awesome”)
Golden Globe Award Nomination: Best Animated Feature