The Sound Of Music

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(out of 5)


The hills are alive with some of the most enjoyable schmaltz you’ll ever see. There’s plenty to criticize in this candy-coloured version of the life of the Von Trapp Family Singers, but it’s just so damn chipper you might as well go with the flow and like it anyway.   is absolutely terrific in the lead role as the spirited Maria, a novice in a convent who is sent by her wise Mother Superior () to go live in the home of a retired naval captain () and be governess to his seven unruly children. While at first they seem resistant to having yet another guardian, the children end up loving Andrews because she sings them fun songs during thunderstorms and takes them on play-days where they roam about in ugly outfits that she has made out of curtains.  The second half of the epic-length enterprise isn’t as much fun, as the clan gets involved with Nazi terror when the Germans take over Austria, and Captain von Trapp finds himself falling in love with his governess despite already having a beautiful mistress () in tow.  Here the songs are gone, and the dramatic tension is cranked up, making for a pretty uneven viewing experience, but a memorable one all the same. No review is ever going to be a more convincing reason to watch it than the look that people will give you if you tell them you haven’t already sat through it, so ignore me and watch it anyway (those of us who were raised religiously remember it being the only film our families deemed suitable and therefore have seen it more times than we care to admit). Rodgers and Hammerstein’s beautiful score still sounds great after all these years, and the performances haven’t waned a single bit: it’s the most ridiculous, emotionally manipulative experience and it’s always worth one more go.


USA, 1965

Directed by Robert Wise

Screenplay by Ernest Lehman, with the partial use of ideas by George Hurdalek, from the stage musical book by Howard Lindsay, Russel Crouse and the book The Story of the Trapp Family Singers by Maria von Trapp

Cinematography by Ted D. McCord

Produced by

Music by

Production Design by

Costume Design by

Film Editing by


Cast Tags:  , , , , , , , , , , , , , , , , ,, , ,


Academy Awards
Best Directing (Robert Wise)
Best Film Editing (William Reynolds)
Best Music (Scoring of music–adaptation or treatment) (Irwin Kostal)
Best Picture (Robert Wise, producer)
Best Sound (20th Century-Fox Studio Sound Department, James P. Corcoran, Sound Director, and Todd-AO Sound Department, Fred Hynes, Sound Director)

Nominations
Best Actress (Julie Andrews as “Maria”)
Best Actress in a Supporting Role (Peggy Wood as “Mother Abbess”)
Best Art Direction (Colour) (art direction: Boris Leven; set decoration: Walter M. Scott, Ruby Levitt)
Best Cinematography (Colour) (Ted McCord)
Best Costume Design (Colour) (Dorothy Jeakins)

Golden Globe Awards
Best Motion Picture-Comedy or Musical
Best Performance By An Actress in a Motion Picture-Comedy or Musical (Julie Andrews)

Nominations
Best Director (Robert Wise)
Best Performance by an Actress in a Supporting Role in a Motion Picture (Peggy Wood)

New York Film Critics Award Nomination
Best Actress (Juile Andrews)

National Board Of Review Award
Top Ten Films

Writers Guild Award
Best Written American Musical

Directors Guild Award
Outstanding Directorial Achievement in Motion Pictures (Robert Wise)

British Academy Award Nomination
Best British Actress (Julie Andrews)


SoundOfMusic

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