My Old Addiction



(out of 5)

 lives a comfortable existence in Toronto, years after having fled Syria under mysteriously dark circumstances that come back to haunt him when he finds out that his daughter has gone missing.  She was supposed to be touring Europe when an unplanned visit to Damascus, where she was presumably going to find out more about her father’s secret past, becomes her last known whereabouts.  Now, despite the danger it poses to him, Siddig has to go covertly back into the country he once barely escaped with his life, reuniting with the woman he left behind () and facing off with an old foe ().  Director Ruba Nadda’s foray into genre filmmaking does not show her off to the same effect that the incisive romance of Cairo Time did; like Jane Campion before her, the attempt to fit within a known mould can’t hide the desire to focus on human experience, and her ability to make characters sympathetic with the smallest effort is on fine display yet again.  The depths of terror are not fully explored as Siddig’s persona remains in pretty much one mode throughout the entire experience and he has no chemistry with a surprisingly colourless Tomei, but the film has its merits, mostly in the gorgeous imagery and a diverting plot which you will feel compelled to see through to the end.

IFC Films, Myriad Pictures, Alliance, Foundry Films, Out of Africa Entertainment, Téléfilm Canada, The Harold Greenberg Fund, , Department of Trade and Industry of South Africa

Canada/South Africa, 2012

Directed by

Screenplay by Ruba Nadda

Cinematography by 

Produced by ,

Music by ,

Production Design by

Costume Design by

Film Editing by

Film Festivals:  TIFF 2012



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