Parlor, Bedroom And Bath (Romeo In Pyjamas)

ParlorBedroomAndBathposterBB.5

(out of 5)


Yet another example of the awkward early days of sound, before the technology was sophisticated enough to capture a more natural rhythm of movement and dialogue. Even the brilliance of  is dampened by the process, his scenes of slapstick mayhem still the level of brilliant, smooth technique that he always possessed, while his dialogue scenes show him stiff as a board. He plays a handyman of sorts who is dragged into a marital scheme when a nearby socialite tells her boyfriend that she won’t get married until her acid-tongued older sister finds a husband, as she does not want to leave her an old maid (the sort of social consideration that would have been raucously dated even back then). Keaton is drawn into the scheme but mix-ups occur and he finds himself courting two other women by mistake as well as his intended target;  is the best of them, giving a performance that even this sore old talkie can’t do any harm to. It would be easily forgotten were it not for the legend at its centre.


Metro-Goldwyn-Mayer

USA, 1931

Directed by 

Screenplay by , Additional dialogue by , based on the play by

Cinematography by 

Produced by 

Production Design by

Costume Design by

Film Editing by


ParlorBedroomAndBathparlor_bedroom_and_bath_1

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