MARTIN SCORSESE

Bil’s rating (out of 5):  BBB.  USA, 2013.  Red Granite Pictures, Appian Way, Sikelia Productions, EMJAG Productions.  Screenplay by Terence Winter, based on the book by Jordan Belfort.  Cinematography by Rodrigo Prieto.  Produced by Riza Aziz, Leonardo DiCaprio, Joey McFarland, Martin Scorsese, Emma Tillinger Koskoff.  Production Design by Bob Shaw.  Costume Design by Sandy Powell.  Film Editing by Thelma Schoonmaker.  Academy Awards 2013.  American Film Institute 2013.  Golden Globe Awards 2013.  National Board of Review Awards 2013.  Washington Film Critics Awards 2013.  

Martin Scorsese situates GoodFellas in the stock exchange for this biopic of Jordan Belfort (played here by Leonardo DiCaprio), the Wall Street tycoon who starts out a faceless trader on the floors of the financial capital before owning his own multi-billion dollar company founded on shady deals and crooked methods.  By the time he reaches the top of his game, Belfort has become a habitual drug user, womanizer and full-time voluptuary, but Scorsese never lets us forget that, illegal activity aside, he’s actually good at his job.  The film is not a dishonest hagiography of an evil man, nor is it an indictment of his terrible behavior either: three hours of shouting, rampant orgies in offices and drug-induced bad behavior on the streets provides a rollicking display of DiCaprio at his very best, giving his most energetic and charismatic performance yet, but it also leaves an audience confused.  Scorsese wants to give us a trip into the paradise of excess that Belfort lives in before slamming him down with the consequences, but there are neither moral stakes nor any kind of decidedly non-judgmental sympathy, only two hours of indulgence followed by an hour of guilt.  The whole thing could have been told in half the time, for while the editing and dialogue couldn’t possibly be better, the first half of Belfort’s rise is far more exciting in its detail than the latter, where slack plotting allows very little to take far too long to happen.  It’s Scorsese in shoddier form than usual, not quite the misfire of Bringing Out The Dead, but even Casino, which was another retread of GoodFellas, was much easier to sit through.