Rabbit Hole

BBBB

(out of 5)


This delicately beautiful film begins with married couple  and  bereaved by a personal loss and seeking comfort in group therapy. Their tragedy, it turns out, is the death of their son, and their diverging ways of dealing with his absence is threatening to tear them apart. Eckhart feels that talking about their boy is important, that keeping his possessions and clothing is paramount to healing. Kidman, on the other hand, is looking to move on with her life and not surround herself with constant reminders of not only her sorrow but also her guilt. John Cameron Mitchell does a marvelous job of adapting David Lindsay-Abaire’s play to the big screen without sacrificing any level of theatrical intensity. The scenes that examine the main couple when they are alone together have all the electricity of a wonderful night at the theatre; the rest of their interactions, with  as Kidman’s sister,  as a fellow member of their group,  as someone who shares Kidman’s guilt, and most impressively , very touching as Kidman’s mother, never feel stagy or contrived. Kidman is outstanding in her subtlety, unleashing a tidal wave of grief and frustration without ever overplaying a single scene, while Eckhart matches her with his impressive ferocity.


Olympus Pictures, Blossom Films, MWM

USA, 2010

Directed by

Screenplay by , based on his play

Cinematography by 

Produced by , ,, ,

Music by

Production Design by

Costume Design by

Film Editing by

Academy Awards 2010

Golden Globe Awards 2010

Independent Spirit Awards 2010.  

Toronto International Film Festival 2010

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