Bil’s rating (out of 5): B.
USA, 1993. Mainline Pictures. Story by Philippe Caland, Screenplay by Jennifer Chambers Lynch. Cinematography by Bojan Bazelli, Frank Byers. Produced by Philippe Caland, Carl Mazzocone. Music by Graeme Revell. Production Design by Paul Huggins. Costume Design by Patsy Chaney. Film Editing by David Finfer.
The controversy surrounding this film is a hell of a lot more interesting than the product itself. Kim Basinger decided six months after being committed to the project that she no longer wanted to be a part of it and broke her verbal contract with the producers, prompting one of the most talked-about show business lawsuits in legal history. Finding that she had damaged a production that had raised most of its presale budget from her name being attached, the court ordered Basinger to pay approximately nine million dollars to the film’s makers (a personal lawsuit record), forcing her to declare bankruptcy and sell the town in Georgia that she owned. In the end, she was horribly mistreated for a film that wasn’t even worth the time it took to print it on celluloid. Jennifer Chambers Lynch (David’s daughter) poorly directs a tale about an obsessive psychopathic doctor (Julian Sands) who mutilates his sexpot girlfriend (Sherilyn Fenn) and puts her in a box in order to keep her to himself. Bill Paxton‘s performance in a supporting role is downright embarrassing (his performance in Weird Science doesn’t seem to have ended), and if you think the main plot is boring, just WAIT until you see the ending. This film perpetrated a crime on a great actress and then committed an even more heinous one on its audience.