The Phantom Of The Opera (1943)

ThePhantomOfTheOpera1943posterBBB

(out of 5)


Gaston Leroux’s original novel inspired this film as well as the original silent version with Lon Chaney and the more recent Andrew Lloyd Webber musical. The story is so tricky a combination of horror and romance that no one who has ever adapted it has ever managed to achieve a satisfying balance. Some concentrate too much on the horror aspects (as in the version with Freddy Krueger, which was intentionally bent that way), while others, like this one, focus too much on the romance and rob the audience of the chills they should be experiencing in between the musical numbers and mushy feelings.  stars as an impoverished musician who is fired from the Paris opera house for bad playing but insists on continuing his secret patronage of a beautiful young singer (). When he is badly injured in the face by an overly sensitive music clerk, he dons a mask and plunges himself into the bowels of the opera house and decides, in his anger, to run the place his way. Anyone who doesn’t follow his requests is met with a very sorry end (though they’ve tamed the violence down for the 1940s audience here). An overabundance of uninspired opera singing drags the action down, but the photography is beautiful and the performances committed. Foster has a lovely voice, but  is wasted as her operatic co-star.


Universal Pictures

USA, 1943

Directed by

Screenplay by , , Adaptation by , based on the novel by

Cinematography by ,

Produced by

Music by

Production Design by ,

Costume Design by

Film Editing by


Academy Award
Best Cinematography (Colour) (Hal Mohr, W. Howard Greene)

Nomination
Best Art Direction (Colour) (art direction: John B. Goodman, Alexander Golitzen; interior decoration: Russell A. Gausman, Ira S. Webb)
Best Music (Scoring of a Musical Picture) (Edward Ward)
Best Sound Recording (Universal Studio Sound Department, Bernard B. Brown, sound director)

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