The Milk Of Sorrow (La Teta Asustada)

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(out of 5)


It doesn’t happen very often that the protagonist of a film walks around with a potato in her vagina for protection; when it does, I suppose the novelty alone demands that the film be viewed. In the case of Claudia Llosa’s fascinating drama, however, there’s much more to recommend it than just a unique take on familiar subject matter. A young village woman in Peru loses her mother to old age and is wracked with sorrow; according to her family she has inherited the trauma of her mother’s tragedies, who was tortured by terrorists when pregnant with her daughter and according to folkloric belief passed her fears on to her through her breast milk. Now, our heroine goes through her days terrified of being traumatized herself (including the aforementioned tubular protection), working as a maid for a wealthy family and observing the disparate nature of class differences that occur in her world. It’s an incredibly accomplished film, with sobering, static camera work that is reminiscent of the best of Chantal Akerman but always with a visual pop in each scene. Llosa is a highly talented filmmaker, full of curiously original ideas but at the same time never arch or overly dramatic; the film is as honest as it is outrageous.


Generalitat de Catalunya – Institut Català de les Indústries Culturals, Ministerio de Cultura, Oberón Cinematográfica, Televisió de Catalunya, Televisión Española, Vela Producciones, Wanda Visión S.A.

Spain/Peru, 2009

Directed by

Screenplay by Claudia Llosa

Cinematography by

Produced by , Claudia Llosa,

Music by

Production Design by ,

Costume Design by

Film Editing by

Academy Award Nomination
Best Foreign Language Film (Peru

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