Sade

SadeBBB.5

(out of 5)


 makes an excellent Marquis de Sade (even better than Geoffrey Rush in Quills) in this intelligent film by one of France’s very best directors, Benoit Jacquot (The School of Flesh, Pas De Scandale). Unlike the aforementioned Philip Kaufman picture, which examined the issue of censorship by using Sade and his work as a backdrop, this film intends to explore the sides of the infamous pornographer as philosopher. While being held prisoner in a grand chateau with many other nobles following the French revolution, Sade befriends a curious young woman and teaches her a thing or two about growing up. The relationship they develop is genuine and in the end very moving, mostly because while instructing her to loosen up she teaches him how he can reclaim his emotional self and learn to love the society that he has dismissed as conventional and narrow. Not Jacquot’s best, but a worthy piece of work.


Alicéléo, Canal+, , RIDICULOUS Pictures, TF1 Films Production

France, 2000

Directed by

Screenplay by , , based on the novel La Terreur dans le Boudoir by

Cinematography by

Produced by

Music by

Production Design by

Costume Design by

Film Editing by


Toronto International Film Festival:  2000


Sade

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