Bastards (Les Salauds)


(out of 5)

, the master of detailed fixation, goes towards one of her darkest subjects yet in this searing drama.   abandons his job as a ship captain after his sister loses her husband in an accident and accuses a shady tycoon of being involved in his death.  The investigation leads Lindon into the arms of his suspected target’s mistress () and into a bizarre and upsetting world of online porn and exploitation of minors that involves his niece, but as is typical with Denis, it all unfolds in bits and pieces in a hypnotic, visually arresting style.  This one takes on a strangely unusual weight of narrative burden for a Denis film, she covers a lot of territory for a filmmaker who is far more proficient at looking very closely at smaller human intersections and making beautiful fodder of them at feature length.  Where her pinpointed views of objects are often the method through which she details a narrative, here they are not as significant as the information pouring from the characters’ mouths, but this odd juxtaposition between a more traditional cinema style and the directors’ usual foray into enigma does not make Bastards a disappointment.  For all its minor discomforts, it still maintains the bewitching level of intensity that all her films benefit from, and the sequences where she really soars (driving in the dark while riding ‘s lap, a depressing but highly memorable re-enactment of the evidence at the heart of the story in the film’s conclusion) will stay with you for days.

France/Germany, 2013

Directed by 

Screenplay by , Claire Denis

Cinematography by 

Produced by , ,

Music by

Production Design by

Costume Design by

Film Editing by

Film Festivals: TIFF 2013

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