(out of 5)
Orson Welles’ previously unfilmed script is resurrected by George Hickenlooper, who applies his mundane talents for an uninspiring screen experience. William Hurt is a presidential hopeful whose increasing popularity is countered with some very unfortunate skeletons in his closet: an old friend (Nigel Hawthorne) contacts an eager journalist (Irène Jacob) and tells him that Hurt has some dirty sexual secrets that he would much rather keep in the past. Meanwhile, Hurt’s marriage to a woman (Miranda Richardson), upon whose wealthy coattails his career has been riding, becomes increasingly brittle with the strain being put on them by this crisis. It’s wonderful to see the work of this great artist finally see the light of the day after having been hidden for so long, but Hickenlooper has no flair for the wildly dramatic and the experience is quite dull, save for a scene-chewing performance by the always reliable Richardson.
Directed by George Hickenlooper
Cinematography by Kramer Morgenthau
Music by Thomas Morse
Production Design by Jerry Fleming
Costume Design by Alexandra Welker
Film Editing by Jim Makiej