The Evening Star

The Evening StarBBB

(out of 5)


Although there are some high points in this sequel to 1983’s Oscar winning Terms Of Endearment, the elements of the original that didn’t survive to the sequel are sorely missing.   is once again Texas matriarch Aurora Greenway who, following the death of her daughter Emma, has raised her three grandchildren with what she considers to be very little success: one of the boys is in jail, the other is struggling in his career and her granddaughter Melanie (, somewhat miscast) is running away with a boy () who is incredibly wrong for her (except that Scott Wolf in white-trash getup looks like…Scott Wolf in white-trash getup). Into the mix comes snotty Patsy (), Emma’s best friend who always wanted to raise Melanie herself and still resents Aurora for not letting her, and a sexy doctor () who finds Aurora irresistible and starts a passionate affair with her. The best scenes are those involving ‘s beautiful performance as Aurora’s maid and best friend Rosie; their relationship is the film’s most potent, even though this is totally by accident. The emotions are all genuine and sometimes it is very moving, but if the original’s soap opera qualities haven’t aged all that well it goes without saying that this one’s bumpy plot was troubled from the get-go. It goes too far in its last third (do we really need to see Aurora grow to be seven hundred years old? It’s not like we can’t guess for ourselves that she remains a feisty old thing until the bitter end) but when all is said and done you won’t exactly hate yourself in the morning for sticking with it.


Rysher Entertainment

USA, 1996

Directed by

Screenplay by Robert Harling, based on the novel by

Cinematography by

Produced by , ,

Music by

Production Design by

Costume Design by

Film Editing by ,


Golden Globe Award Nomination
Best Performance by an Actress in a Supporting Role in a Motion Picture (Marion Ross)

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