(out of 5)

One of the most bizarre entries in the science-fiction canon for many reasons, not the least of which is the sight of running around a barren landscape in a red diaper and long pony tail.  John Boorman’s painfully unsubtle allegory is about a futuristic civilization where enslaved labourers work the land and are controlled by a small group of advanced and enlightened humans in a remote citadel.  The folks up top have convinced the peons that they are gods, a notion put to the test when Connery infiltrates the sanctuary of the privileged and reveals its hidden secrets.  It’s actually loads of campy fun to watch, and there is a marvelous commitment to its strangeness that does not abate; it’s nice to see a film with a high concept never give in to the temptation to become an action adventure in its last third.  Like most science fiction, it reveals more about its own time than anything prescient about the future, but as such even the dated costumes and makeup make it more pleasurable to endure.

John Boorman Productions

United Kingdom, 1974

Directed by

Screenplay by John Boorman

Cinematography by

Produced by John Boorman

Music by

Production Design by

Costume Design by

Film Editing by

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