An Officer And A Gentleman (1982)

TAYLOR HACKFORD

Bil’s rating (out of 5): BBB

USA, 1982, .  Screenplay by .  Cinematography by .  Produced by .  Music by .  Production Design by .  Costume Design by , .  Film Editing by .  

After having been raised in the Philippines by his insensitive father (and I love that they show delicately lit flashbacks to it as if they were setting up for a great epic), goes into basic training at a Navy Flight School and must survive his sadistic sergeant () in order to achieve his goal of graduating. Helping lighten things up is a new relationship with a local girl (, whose performance here made her a star overnight) who may either be taking him away from his career or helping him succeed at it.

The story really doesn’t have anywhere in particular that it wants to go, but it does allow its actors to give some fine performances. Gere is amiably effective, sometimes pouting too much but overall strong, Winger completely natural in every scene and Gossett, Jr. steals every moment that he has with his incredible intensity. The film won its audiences over with its cracked sense of romance (which allowed them to overlook the rampant misogyny of ‘s storyline), particularly in the sound of the Oscar-winning theme song Up Where We Belong, but in the years since it has merely aged as a tacky melodrama that even the World War II-era audiences would have ignored as schmaltz.

Academy Awards:  Best Supporting Actor (Louis Gossett, Jr.); Best Original Song (“Up Where We Belong”)
Nominations: Best Actress (Debra Winger); Best Original Screenplay; Best Film Editing; Best Original Score

Golden Globe Awards:  Best Supporting Actor (Louis Gossett, Jr.); Best Original Song (“Up Where We Belong”)
Nominations: Best Picture-Drama; Best Actor-Drama (Richard Gere); Best Actress-Drama (Debra Winger); Best Supporting Actor (David Keith); New Star of the Year-Male (David Keith); New Star of the Year-Female (Lisa Blount)

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