Camelot

BBB

(out of 5)


Following the success of My Fair Lady, Jack L. Warner put his studio right to work on filming Lerner and Loewe’s next Broadway musical hit, based on The Once and Future King by T.E. White. The results were not nearly as successful as the former production, a lumbering musical with too much whimsy to be taken seriously and too much drama to be enjoyable, though the cast does help a bit.  is wonderfully lively in the role of King Arthur, who begins the film by welcoming his new bride Guenevere () to his court. She, in turn, grows to love him but finds the heat of passion with his fiercest knight Lancelot (, with whom Redgrave began a romance that has lasted until this day). Redgrave is wonderful in the role, though her singing is more the performance of an actress than a singer and at times forces you to concentrate and forgive a lot. If curiousity draws you to this film, or if you think you’ll love the opulent sets and costumes, than go ahead and be my guest, but anyone else need be warned that the running time strains your patience on more than one occasion. The score is mostly intact, and for the most part the songs all sound the same. Highlights include “If Ever I Would Leave You”, “I Loved You Once In Silence”, Harris’ rousing rendition of “Camelot” and Redgrave’s finest moment singing “Then You May Take Me To Fair”.


Warner Brothers/Seven Arts

USA, 1967

Directed by

Screenplay by , based on his play, from the book The Once And Future King by

Cinematography by

Produced by

Music by ,

Production Design by

Costume Design by John Truscott

Film Editing by

Academy Awards 1967

Golden Globe Awards 1967

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