Kingdom Of Naples (The Reign of Naples) (Neapolitanische Geschichten)

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(out of 5)


Werner Schroeter making a film that moves from beginning to end and is easy to follow seems almost more radical than his more impressionistic films; it’s worth pointing out, however, that telling a story in a more conventional manner does not diminish the power of his dramatic skills. Imagine a more political Visconti as we follow the saga of interrelated Neapolitan characters from the mid-forties to the early seventies. A husband struggles to raise his two children following the premature death of his wife, with his son rising up through the ranks of the ever-expanding Communist party, while his daughter tries her best to achieve everything that the education her parents never received can get for her. Next to them is a young woman who remains an old maid after an encounter with an American soldier during the war, whose mother marries an important member of the party in the spirit of helping their little family but ends up bringing more trouble upon herself. It has very little of the expressive flourish of Schroeter’s more eccentric films, but it isn’t all grim neorealism either; the factory-owner who exploits her workers and tries to make a prostitute out of our young heroine could have been plucked straight off the set of The Death Of Maria Malibran (or one of Almodovar’s later comedies). The director’s healthy sense of humour allows this one to ride the line between grittiness and soap-operatic melodrama with great aplomb.


, ,

Italy/West Germany, 1978

Directed by

Story and Screenplay by Werner Schroeter, in collaboration with ,

Cinematography by

Produced by

Music by

Production Design by

Costume Design by

Film Editing by Werner Schroeter,

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