Slow Motion (Every Man For Himself) (Sauve Qui Peut La Vie)

BBB

(out of 5)


Jean-Luc Godard called this his “second first film”, as it marks the latter half of his career when his style became even more introverted and incomprehensible than before (though this one is much more linear and enjoyable than later painful indulgences such as Passion and Eloge De L’Amour would be).  plays a filmmaker (curiously named Godard!) who is having trouble accepting the end of his marriage. His ex-girlfriend () wants to go to the country, but he can’t decide if he wants to commit to her or not. Meanwhile, a prostitute () spends her days going through some of the most curious adventures on the seedy side of life. Godard’s unnerving photographic and editing techniques, which will thrill some and aggravate others, sporadically service the story, while the story promotes his feeling that the ideals of his culturally revolutionary days have all disintegrated into a world of selfish capitalists. Not that you’ll get that without reading the internet synopses, but all the same, it’s there. Huppert and Baye are both exceptionally good in their roles.


Sara Films, MK2 Productions, Saga-Productions, Sonimage, Centre National de la Cinématographie, Zweites Deutsches Fernsehen, , Österreichischer Rundfunk

France/Austria/West Germany/Switzerland, 1980

Directed by

Screenplay by Jean-Luc Godard,

Cinematography by

Produced by Jean-Luc Godard,

Music by

Production Design by

Film Editing by Jean-Luc Godard, Anne-Marie Mieville

Film Festivals:  Cannes 1980

The Criterion Collection


1980sauveSlowMotion

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