Sabrina (1995)

BB

(out of 5)


Remaking Billy Wilder’s 1954 comedy classic starring Audrey Hepburn and Humphrey Bogart was a bad idea in the first place, but considering the cast you’d think it could still be better.   aptly steps into Hepburn’s shoes as the plucky young lass who lives above the garage of her rich employers’ home and develops an infatuation with the young son of the family () for whom her father () is a chauffeur. She leaves for a short educational stint in Paris to forget Kinnear on her father’s advice, then returns a glamorous vixen whom no one, including the former object of her affection, can resist. Unfortunately, he’s getting married soon, and the marriage coincides with a very important deal crucial to his family’s financial well-being. To keep her from making trouble, Kinnear’s older brother  keeps the lady company and eventually makes himself more appealing to her than his sibling ever was. All the spark and zing that made the original so spirited and fun is gone here, replaced by director Sydney Pollack’s slow, methodical pacing that is meant to be mistaken for romanticism but is just plain boring and overlong. It also doesn’t help that Ford isn’t nearly as charismatic an actor as Pollack seems to expect him to be (see also Random Hearts).


, , , , , ,

Germany/USA, 1995

Directed by

Screenplay by , , based on the earlier screenplay by , , , from the play Sabrina Fair by Samuel A. Taylor

Cinematography by 

Produced by Sydney Pollack,

Music by

Production Design by

Costume Design by ,

Film Editing by

Academy Awards 1995

Golden Globe Awards 1995

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