Brown’s Requiem

B.5

(out of 5)


Awkward adaptation of James Ellroy’s first novel, about a disgruntled private investigator () who has no idea what he’s in for when he takes a job from a golf cabbie who asks him to keep an eye on his sister (). Rooker hasn’t the charisma to be a leading man or an anti-hero, while Blair fares even worse, flimsy where her character is supposed to be naive (but too naive to be believed). The novel upon which this one is based is much more complex, featuring Ellroy’s usually fascinating foray into the underworld of dirty cops, trips to Tijuana and trademark double-crossing dames. The direction here has no flair for any of these, pumping up the sex ante to make up for the more important things that it cuts out, and doesn’t demand a whit of talent from any of its players. Best to be left alone.


, ,

USA, 1998

Directed by

Screenplay by Jason Freeland, based on the novel by

Cinematography by

Produced by ,

Music by

Production Design by

Costume Design by

Film Editing by

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