The Verdict


(out of 5)

Watching one man go against conspiratorial corruption hasn’t been this intense since Alfred Hitchcock sent a crop duster after Cary Grant.  In this case it’s a superb  as an alcoholic over-the-hill attorney who gets one last chance to make a comeback in the big courtroom (this was during the days before John Grisham’s novels, so this type of character wasn’t quite the stereotype it is today). The case he gets to try is one involving a malpractice suit against two well-respected doctors whose negligent anesthesiology on a woman in labour has sent her into a lifelong coma. The hospital offers Newman a settlement, but he feels he owes it to the girl not to sell out but to take the case to trial.   plays the corporate lawyer who pulls out all the stops to make sure he wins; but is he a match for human truth?   is strong but wasted as the love interest with her own little secret (though it’s no big surprise; just look at how high she’s billed in the credits and you’ll know what the secret is).


USA, 1982

Directed by

Screenplay by , based on the novel by 

Cinematography by 

Produced by ,

Music by

Production Design by

Costume Design by

Film Editing by

Academy Awards 1982

Golden Globe Awards 1982

National Board of Review Awards 1982.  

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