It’s All Gone, Pete Tong


(out of 5)

Give this mockumentary enough time and it will eventually win you over. The first half, chronicling the free-wheeling activities of an Ibiza DJ () with an unhealthy devotion to drugs and alcohol, is a tiresome exercise in visual carnality. In the second half, however, our protagonist loses his hearing, hits bottom and finds his way back with the love of a kindly speech therapist, herself also deaf, who teaches him how to read lips and eventually gives him back his faith in himself. His new inner peace allows him to pursue his career in music once again, despite his aural limitation, and the film itself becomes a pleasant and almost sweet romance. All the way through, Kaye’s impressive dedication to the role is so realistic that it’s the one thing that will have you convinced that the subject is totally real, while is immensely likeable as his lady love.


United Kingdom/Canada, 2004

Directed by

Screenplay by Michael Dowse

Cinematography by

Produced by , ,

Music by

Production Design by

Costume Design by

Film Editing by ,

Film Festivals:   TIFF 2004

Cast Tags:  , ,, , , , , , , , , , , , , , , , ,, , , , , , , , , , , , , , , ,, , , , ,

Canadian Screen Award (Genie Award) Nominations
Best Motion Picture
Best Performance by an Actor in a Leading Role (Paul Kaye)
Best Achievement in Direction (Michael Dowse)
Best Screenplay, Original
Best Achievement in Cinematography
Best Achievement in Overall Sound
Best Achievement in Editing
Best Achievement in Sound Editing



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