Caravaggio

CaravaggioposterBBB.5

(out of 5)


One of Derek Jarman’s most enjoyable films is this deeply emotional, artistically rich exploration of the great Renaissance painter.  plays the wildly violent, passionate and emotional artist who is thrashing around on his deathbed and looking back on his experiences in developing as an artist.  His young years (portrayed by ) were spent painting with the encouragement of a Cardinal (), then as an adult the centre of his reflections is the love triangle created when he meets a handsome boxer () and becomes enamored of him before falling in love with Bean’s jealous girlfriend (, in her screen debut).  Anachronisms typical of Jarman’s visceral style abound everywhere, there’s a dedication to period in the costumes and general griminess of the actors but also the odd inclusion of a car or train or calculator.  It touches on biographical details, such as his relationship to the Vatican, but the intent is more to explore the nature of artistry and inspiration than to describe an itemized account of Caravaggio’s birth-to-death experience. Inspired views of the creation of the great artist’s paintings, not to mention painterly photography that makes every shot look like it should have a wooden frame around it, make this one of the obscure British filmmaker’s most satisfying works.


British Film Institute, Channel Four Television

United Kingdom, 1986

Directed by 

Story by , Screenplay by Derek Jarman

Cinematography by 

Produced by

Music by

Production Design by

Costume Design by

Film Editing by


Caravaggio

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