(out of 5)

If you had the choice to either see this movie or walk a plank, take the plank. Adapted from the Broadway musical, which itself was based on the popular Depression-era comic strip, this insanely bad mishmash of a musical is about the titular plucky, redheaded orphan ( seriously overdoing it) who goes to live with a filthy rich Manhattan industrialist () as part of a publicity stunt to improve his reputation in a city drowning in unemployment.  The girl’s spark of energy and genuine love inspire him and his kindly secretary () so much that they keep her for good, which doesn’t sit well with the conniving woman () who runs the orphanage that Annie came from.  She and her dishonest brother () and sister-in-law () contrive to get Annie back and take Finney for all he’s worth. The songs ring out loud and clear for the world to hear, some of them tunefully cute, some of them really annoying, but John Huston was never meant to direct a musical and he does a terrible job of it. The dramatic scenes are too heavy, the dance numbers are sometimes too busy, and the whole bloated thing is too darn long. The first death toll of the traditional musical film had been rung thirteen years earlier with Hello, Dolly!, but Annie came around just in time to drill one of the last big nails into the coffin.


USA, 1982

Directed by John Huston

Screenplay by , based on the stage play by , from the comic strip Little Orphan Annie by

Cinematography by

Produced by

Music by

Production Design by

Costume Design by

Film Editing by

Academy Awards 1982

Golden Globe Awards 1982



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