(out of 5)
Films about the life of Christ were already a frequent focus of the medium when Cecil B. DeMille made this impressive blockbuster, but it would be safe to say that this is the first grand project on the subject. H.B. Warner is appropriately blond and lightning-eyed for the white Protestant crowd, as the Messiah whose last days are chronicled by the great showman’s camera, speaking to his followers, enjoying his Last Supper and suffering the pain of crucifixion before his miraculous resurrection. More memorable is the depiction of Mary Magdalene as the wanton mistress of the Romans, filmed in early Technicolour (as are some of the portions post-Crucifixion) with the kind of pomp that only DeMille could provide (she doesn’t just go looking for Judas…she goes looking for him while riding her zebra-pulled chariot). It is beautifully photographed (in either mono or multi-chrome) and has some moments of real power, a film well worth viewing even if the subject matter has no personal meaning for you.
Directed by Cecil B. DeMille
Screenplay by Jeanie Macpherson
Cinematography by J. Peverell Marley
Produced by Cecil B. DeMille
Music by Hugo Riesenfeld