Yesterday, Today And Tomorrow


(out of 5)

Original title:  Ieri, Oggi, Domani

You’d think that having one of the fathers of Italian neorealism giving into the popularity of the Italian sex comedy would be a reason to mourn, but this deserving Oscar-winner is no sellout. De Sica uses the genre to his advantage as an opportunity to delive into issues of sexuality, class, and religion in 1960s Italy as he tells three stories about three very provocative women. In the first (and best),  plays a poor housewife who protects her family from starvation by selling contraband cigarettes and constantly getting her exhausted husband () to impregnate her in order to avoid going to jail. In the second, a short piece that acts more as a bridge between the other two stories, Loren plays a wealthy housewife having an affair with businessman Mastroianni, who reveals in a few short strokes her chilling categorization of humanity. In the third, most iconic piece (which includes the now famous striptease), she plays a prostitute whose star client (Mastroianni) is beyond frustration waiting to get it on with her while she makes a touching friendship with a neighbouring seminary student. Loren is at the height of her powers here, physically ravishing and giving an outstanding performance, while De Sica shines as both writer and director in one of the country’s most magnificent films from this period.

Compagnia Cinematografica Champion, Les Films Concordia

Italy/France, 1963

Directed by

Story by , , Screenplay by Eduardo De Filippo, , Cesare Zavattini, , , based on the novella Troppo Ricca by 

Cinematography by 

Produced by 

Music by

Production Design by

Costume Design by

Film Editing by

Academy Awards 1964

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