Children Of Men

BBB

(out of 5)

It’s 2027 and for eighteen years women have been unable to conceive children, submerging the entire world into a hopeless mess of crime and chaos. Britain is the one place in the world that hasn’t gone up in flames, creating a huge problem with illegal immigration that has turned the nation into a fascist police state with the most intolerant attitude towards foreigners. A former bureaucrat (Clive Owen), now living in despair, is approached by his ex-wife (Julianne Moore), who is now the leader of a terrorist group fighting for the rights of refugees, to help her out on a particular mission: her group needs to help escort a young woman to safety who has the possible solution to all of humanity’s problems, and Owen’s connections to the government could provide the travel papers needed to do it. This intriguing, classy thriller benefits from superb direction by Alfonso Cuaron, who does a fantastic job of creating a convincing future that is grim and bleak but never without a glimmer of love and hope. It moves along smoothly without ever hitting a bump, but it is hampered by a plot that is never quite intense enough (though it is at times beautifully moving) and two lackluster performances: Owen looks like he’s sleepwalking through his brilliant-but-bitter British angry man, and Moore seems distracted, while the supporting cast is made up of familiar cliches who prevent you from ever really caring about what is happening onscreen. Looks great, though, with cinematographer Emmanuel Lubezki outdoing himself yet again.

USA/United Kingdom, 2006

Directed by Alfonso Cuaron

Screenplay by Alfonso Cuaron, Timothy J. Sexton, David Arata, Mark Fergus, Hawk Ostby, based on the novel by P.D. James

Cinematography by Emmanuel Lubezki

Produced by Marc Abraham, Eric Newman, Hilary Shor, Iain Smith, Tony Smith

Music by John Tavener

Production Design by Jim Clay, Geoffrey Kirkland

Costume Design by Jany Temime

Film Editing by Alfonso Cuaron, Alex Rodriguez

Film Festivals:  Venice 2006

Cast Tags:  Alexandre Bestavashvili, Andrew Brooke, Atalanta White, Barnaby Edwards,Barry Martin, Billy Cook, Bruno Ouvrard, Caroline Lena Olsson, Charlie Hunnam, Chiwetel Ejiofor, Chris Gilbert,Clare-Hope Ashitey, Clive Owen, Danny Huston,   Denise Mack, Dermot O’Neill, Dhaffer L’Abidine,Dorothy Grumbar, Ed Westwick, Ernesto Tomasini, Faruk Pruti, Francisco Labbe,Galina McWhirr, Gary Hoptrough, Georgia Goodman, Goran Kostic, Ida Church, Ilario Bisi-Pedro, Jacek Koman, Jamie Kenna, Jody Halse, Jon Chevalier, Joy Richardson, Juan Gabriel Yacuzzi, Julianne Moore, Keith Dunphy, Kim Fenton,Laurence Woodbridge, Maria McErlane,  Martina Messing, Maurice Lee, Michael Caine, Michael Haughey, Michael Klesic, Milenka James, Miriam Karlin, Mishal Husain, Nabil Shaban, Nihal Arthanyake, Nirmala Martis, Oana Pellea, Pam Ferris, Peter Mullan, Phaldut Sharma, Philippa Urquhart, Phoebe Hawthorne, Ray Trickitt, Rebecca Howard, Rita Davies, Rob Curling, Rob Inch, Simon Poland,Somi De Souza, Tehmina Sunny, Thorston Manderlay, Valerie Griffiths, Yolanda Vazquez

Academy Award Nominations
Best Cinematography (Emmanuel Lubezki)
Best Film Editing (Alex Rodriguez, Alfonso Cuaron)
Best Writing (Adapted Screenplay) (Alfonso Cuaron, Timothy J. Sexton, David Arata, Mark Fergus, Hawk Ostby)

New York Film Critics Award Nomination
Best Cinematographer (Emmanuel Lubezki)

Los Angeles Film Critics Award
Best Cinematography (Emmanuel Lubezki)

Nomination
Best Production Design (Jim Clay, Geoffrey Kirkland, Veronica Falzon)

National Society of Film Critics Award
Best Cinematography (Emmanuel Lubezki)

Venice Film Festival Award
Outstanding Technical Contribution (Emmanuel Lubezki, for cinematography)

British Academy Awards
Best Cinematography
Best Production Design

Nomination
Best Achievement in Special Visual Effects