Spider

BB.5

(out of 5)


After years spent in a mental institution, Spider () is released and sent to live in a halfway house in London. While there he revisits his memories of youth, remembering his family life with his kindly mother () and adulterous father () in the years that led up to his incarceration. David Cronenberg’s film is shot impeccably and firmly edited down to the last tight screw, but Patrick McGrath’s screen adaptation of his own novel is absolutely deluded in thinking that it is in any way challenging: the story is perfectly linear and its secrets are obvious from the get-go. This film has been receiving rapturous international attention, presumably because it tries so much harder for subtlety than most films do (think A Beautiful Mind, but made for adults), but it never really achieves much. Fiennes does a great job with a very one-note, boring character, while Richardson absolutely shines as both the mother and whore of his memories. Her ability to bring believable, flesh-and-blood women to the screen gives us two fully realized characters that never sink in to caricature. Also stars as the manager of Spider’s ghastly hotel.


Odeon Films, , Artists Independent Network, Grosvenor Park Productions, Catherine Bailey Ltd., Téléfilm Canada, Canadian Film or Video Production Tax Credit, Metropolitan Films

Canada/United Kingdom, 2002

Directed by

Screenplay by , based on his novel

Cinematography by

Produced by , David Cronenberg,

Music by

Production Design by

Costume Design by

Film Editing by

Cannes Film Festival 2002

Toronto International Film Festival 2002

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