Bil’s rating (out of 5): BBB.5. USA, 1932. Paramount Pictures. Screenplay by Benjamin Glazer, Oliver H.P. Garrett, based on the play by Laurence Stallings, from the novel by Ernest Hemingway. Cinematography by Charles Lang. Produced by Edward A. Blatt, Benjamin Glazer. Music by Herman Hand, W. Franke Harling, Bernhard Kaun, John Leipold, Paul Marquardt, Ralph Rainger, Milan Roder. Production Design by Roland Anderson, Hans Dreier. Costume Design by Travis Banton. Film Editing by Otho Lovering, George Nichols Jr.. Academy Awards 1932/1933.
Poetic and swoony adaptation of the Ernest Hemingway novel. Gary Cooper plays a (very tall) American soldier who falls in love with (very short) kindly nurse Helen Hayes. The two of them have to avoid being seen by their superiors or else she will be sent away, but the real challenge comes when he has to survive the war long enough to come back to her. It’s an enjoyable and mature romantic drama that still packs quite a punch after all these years. Hayes, in one of her few film appearances before she became the first lady of American theatre, gives a frank and intelligent performance (as opposed to insipid and dewy, which is probably why she didn’t get too popular with audiences at the time), and Cooper radiates a sexy intelligence that was very rare in his early career.