My Old Addiction

Movie Reviews By Bil Antoniou

The Darjeeling Limited (2007)

WES ANDERSON

Bil’s rating (out of 5):  BBBB.  USA, 2007.  , , , .  Screenplay by Wes Anderson, .  Cinematography by .  Produced by Wes Anderson, , , .  Production Design by .  Costume Design by .  Film Editing by .  

Waris Ahluwalia, Owen Wilson, Adrien Brody and Jason Schwartzman in The Darjeeling Limited

There’s a moment of pure beauty somewhere in this Wes Anderson film, where  takes the short story his brother just wrote and reads it privately in a secluded compartment of the train they’re travelling on. It brings him to tears, and is one of the loveliest, most poignant bits of the experience. Sadly, for those audiences members who really respond to it, the moment turns out to be a harbinger of things not to come; for while Anderson’s film is a gorgeous work of art, it doesn’t qreach the level of emotional delicacy it seems to be reaching for. I say quite because it’s incredibly lovely, and shows the director expanding in other ways that go well beyond the delicious quirkiness of his earlier efforts. Brody, Jason Schwartzman (who co-wrote the script with his cousin Roman Coppola and Anderson) and  play three estranged brothers who reunite in India a year after their father died in a tragic accident. Wilson is intent on making them close again, though it doesn’t take long before the personality differences that drove them apart rear their ugly heads and drive a wedge between the three siblings. Of course, this being a Wes Anderson movie, the personality differences are subtly dry, witty tones of isolationism that provoke laughter from a very deep place. Robert Yeoman’s cinematography is the most incredible work he’s done yet: rather than the self-consciously artificial settings of The Life Aquatic, this is shot in the real India, using natural elements to produce the solid candy colours that make Anderson’s work so distinctive. Obvious influences by the humanist films of Satyajit Ray (including the use of his film’s scores on the soundtrack) and a few nods to Black Narcissus only enrich the experience. It’s not the heartbreaker it really wants to be, but it’s still incredibly good, and all three actors shine. Screens with the short film Hotel Chevalier, a so-so piece co-starring  that only makes sense if you’ve seen the feature.

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