My Old Addiction

Movie Reviews By Bil Antoniou

S1m0ne

BB.5

(out of 5)


Filmmaker has just lost the star ( in a hilarious, unbilled cameo) of his troubled project to her moods and tantrums, then gets fired by the studio boss () who is also his ex-wife. Out of the blue, a crazed computer programmer (Elias Koteas) appears and gives Pacino the greatest gift: a lifelike, completely believable computer-generated woman named Simone who can be used to good effect in Pacino’s movie. Riding the game as long as he can, Pacino manufactures Simone into a huge star, starring her in a few movies, scoring her a record deal and making her the public’s number one celebrity. To cover up, he tells everyone that she is an artist of incredible integrity who prefers to work alone and not waste her energy on anything but her craft. Trouble begins when the simulated actress starts to take over Pacino’s personality and threatens to destroy him completely. Filmed with a stunning, retro-futuristic style that is similar to director Andrew Niccol’s debut film Gattaca, the story has a marvelous premise that never plays out as well as it should. It tries to examine the issues at hand, such as celebrity and how little it takes to get people interested in a media sensation, but instead descends into endless whining about how demanding movie stars are. Performances are all energetic and dedicated, with especial kudos going to Keener for doing her best in a two-dimensional role that just plays off her glamorously bitchy image, but for the most part this movie is a boring, one-joke farce.


New Line Cinema, Niccol Films

USA, 2002

Directed by

Screenplay by Andrew Niccol

Cinematography by

Produced by Andrew Niccol

Music by

Production Design by

Costume Design by

Film Editing by

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