The Portrait Of A Lady


(out of 5)

One of the richest and most rewarding adaptations of a Henry James novel.  is at her peak as a young woman from America who travels to Europe to visit relatives, only to be flummoxed by countless suitors. Rejecting all her auspicious prospects (a hunky , a rich and powerful ) she instead decides she would like to experience more of life, something she feels she would not be at liberty to do as a married woman. When her uncle () dies and leaves her a fortune, she finds herself with the means to live her dream. Meanwhile, a conniving friend (, also brilliant) throws the newly rich young lady in the path of her equally sneaky friend ( at his most routine), and Kidman takes the bait hook, line and sinker, marrying the man and becoming his emotional punching bag. As usual, director Jane Campion is constantly looking for new ways to visually express her story, but thanks to her genius and her understanding of the writing she never overpowers the material with her fancy camerawork, instead adding to its emotional impact. Laura Jones’ screenplay will certainly offend devoted James readers (it starts at the book’s tenth chapter), but considering how much paring down needs to be done to get the novel to manageable movie length, we are grateful she at least kept much of James’s brilliant dialogue intact.

Polygram Filmed Entertainment, Propaganda Films

United Kingdom/USA, 1996

Directed by

Screenplay by , based on the novel by

Cinematography by

Produced by ,

Music by

Production Design by

Costume Design by Janet Patterson

Film Editing by

Academy Awards 1996

Golden Globe Awards 1996

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s