L.A. Confidential

L.A. ConfidentialBBBBB

(out of 5)


Hands-down my favourite American film of the nineties. Curtis Hanson shocked the world by proving to be not only a great director but an auteur with this unbeatable adaptation of James Ellroy’s terrifying novel about corruption and crime among members of the LAPD in the 1950s. The hard-boiled detective story angle is brought to life beautifully, mostly because Jeannine Claudia Oppewall’s production design recreates the dark underside of the 50s to such perfection that not even a Coke bottle label is missed. Add to that Dante Spinotti’s stunning lighting that rides the fine line between artistic and believable comfortably (as all period camerawork should), Ruth Myers’ costume designing and a script by Hanson and Brian Helgeland that pares down Ellroy’s original mammoth plot without sacrificing the spiderweb-density of the story, and you have the best movie of 1997. The story, about a multiple murder in a local diner involving a policeman with suspicious ties makes for the most fascinating detective film made since Orson Welles’ Touch of Evil. The cast is all brilliant, most notably  as a wordly prostitute who has not only a heart of gold but a mind of steel–she is so strong in her character’s every nuance you’ll find yourself forgetting she’s even acting–and  as a Dean Martin-esque detective who not only solves an important part of the puzzle, he even discovers he possesses a soul beneath his flashy suits.


Regency Enterprises, The Wolper Organization, Warner Bros.

USA, 1997

Directed by

Screenplay by , Curtis Hanson, based on the novel by

Cinematography by

Produced by Curtis Hanson, ,

Music by

Production Design by

Costume Design by

Film Editing by

Film Festivals:  Cannes 1997, TIFF 1997


Academy Awards
Best Actress in a Supporting Role (Kim Basinger as “Lynn Bracken”)
Best Writing (Screenplay Based on Material Preivously Produced or Published) (Brian Helgeland, Curtis Hanson)

Nominations
Best Art Direction (art direction: Jeannine Oppewall; set decoration: Jay R. Hart)
Best Cinematography (Dante Spinotti)
Best Directing (Curtis Hanson)
Best Film Editing (Peter Honess)
Best Music (Original Dramatic Score) (Jerry Goldsmith)
Best Picture (Arnon Milchan, Curtis Hanson, Michael Nathanson, producers)
Best Sound (Andy Nelson, Anna Behlmer, Kirk Francis)

Golden Globe Award
Best Performance by an Actress in a Supporting Role in a Motion Picture (Kim Basinger)

Nominations
Best Motion Picture-Drama
Best Director (Curtis Hanson)
Best Screenplay (Curtis Hanson)
Best Original Score-Motion Picture (Jerry Goldsmith)

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