The Lover (L’Amant)


(out of 5)

Forty years after Hiroshima, Mon Amour, another Marguerite Duras classic is brought to the big screen, this time with much controversy (lead star Jane March was underage at the time that she filmed her erotic love scenes) and very little result (it’s about as interesting as watching paint dry). March, who can’t act her way out of a paper bag, plays a young French schoolgirl living in China who strikes up a highly charged, totally physical liaison with an older Asian businessman (Tony Leung). All I can say about their relationship is that she can fake it with the best of them and he’s got a great ass. Robert Fraisse’s photography of the mystical far east of yesteryear is stunning, but Jean-Jacques Annaud’s direction plods through the unimaginative screenplay with very little energy.

Films A2, Grai Phang Film Studio, Renn Productions, Timothy Burrill Productions

France/United Kingdom/Vietnam, 1992

Directed by

Screenplay by , Jean-Jacques Annaud, based on the novel by

Cinematography by

Produced by

Music by

Production Design by

Costume Design by

Film Editing by

Academy Awards 1992


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