SPIKE JONZE

Bil’s rating (out of 5):  BBBB.5. 

USA, 1999.   Astralwerks, Gramercy Pictures, Propaganda Films, Single Cell Pictures.   Screenplay by Charlie Kaufman.   Cinematography by Lance Acord.   Produced by Steve Golin, Vincent Landay, Sandy Stern, Michael Stipe.  Music by Carter Burwell.  Production Design by K.K. Barrett.  Costume Design by Casey Storm.  Film Editing by Eric Zumbrunnen.  Academy Awards 1999.  Boston Film Critics Awards 1999.   Golden Globe Awards 1999.  Independent Spirit Awards 1999.  Las Vegas Film Critics Awards 1999.  National Board of Review Awards 1999.  New York Film Critics Awards 1999.  Online Film Critics Awards 1999.  

Brilliant comedy that sets audience expectation on its ear. An office temp (John Cusack) finds a portal in his filing room that leads into the mind of John Malkovich and subsequently dumps him onto the New Jersey Turnpike five minutes later. His wife (Cameron Diaz) is a frizzy-haired animal lover who falls in love with Cusack’s new co-worker Catherine Keener (in a bitingly brilliant performance) despite the fact that he had his eye on her first.  He and Keener team up to turn voyages into Malkovich’s mind into a moneymaking scheme, putting in motion a plot of such enormous lunacy that even if you don’t like it, you have to admire screenwriter Charlie Kaufman’s audacity. Spike Jonze’s direction is consistently off-the-wall, and amazingly enough Malkovich gives his very best performance as a fictional version of himself; the scene where he enters his own mind and experiences millions of different Malkoviches is pure genius (though slightly less genius than the sequence where the ladies enter the labyrinth of his subconscious).  The film never gets too engrossed in its own gimmicks, however, telling a very effective story about people’s need to control others and see the world from behind a hidden perspective.